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I am using a method by which I start with loose abstract strokes and then impose a landscape scene over. I think one of paintings chief objectives is the interrelating between abstraction and figuration, gross material being infused with imaginative form. photo references are both a barrier and a tool in painting, and I use paint to see through the image into the energy of the moment.
I am using a method by which I start with loose abstract strokes and then impose a landscape scene over. I think one of paintings chief objectives is the interrelating between abstraction and figuration, gross material being infused with imaginative form. photo references are both a barrier and a tool in painting, and I use paint to see through the image into the energy of the moment.
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The Canyon Crawlers Painting

Jessica Kirkpatrick

United Kingdom

Painting, Oil on Canvas

Size: 9 W x 12 H x 1 D in

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$370

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ABOUT THE ARTWORK

I am using a method by which I start with loose abstract strokes and then impose a landscape scene over. I think one of paintings chief objectives is the interrelating between abstraction and figuration, gross material being infused with imaginative form. photo references are both a barrier and a tool in painting, and I use paint to see through the image into the energy of the moment.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

9 W x 12 H x 1 D in

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I am a visual artist originally from California living in my adopted home Edinburgh Scotland. With work in private collections around the USA, Europe and Australia, I also love sharing my love of art through teaching. I have a two year old son and am very inspired by the connection between art making and motherhood, most recently participating in the Artist-In-Residency in Motherhood, and Spilt Milk--a collective of artist-mums. In 2012 I won an Abbey Award Fellowship in Painting at the British School at Rome spending three months in Italy researching the history of the female nude. I subsequently won a year long housing and studio grant from the Roswell Artist in Residence Program, in which I produced a large body of work culminating in a solo exhibit at the Roswell Museum and Art Center. Whatever the subject matter of a painting, ultimately my artistic purpose is to experience the deep flow of creation and to impart that state of presence with the world. I desire to make art that creates more community and connection. Starting with a digital collage process, and creating watercolor studies from the collage, I then make several paintings slowly over many months, where sometimes they are sanded down and reworked taking on various incarnations, or in other cases the piece matures fluidly.

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Featured in One to Watch

Featured in Saatchi Art's curated series, One To Watch

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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