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The Church of St. Nicholas in Pyzhi Painting
Russia
Painting, Oil on Canvas
Size: 13.8 W x 11.8 H x 0.1 D in
Ships in a Crate
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Artist featured in a collection
About The Artwork
The wooden church on the site of the present was founded no earlier than 1593, probably simultaneously with the establishment of the Streletsky settlement. In the second half of the 17th century, the local Streltsy regiment was commanded by Bogdan Pyzhov, who gave his name to the area, the temple and Pyzhevsky Lane. The construction of the main volume of the Annunciation Church dates from 1672 (according to other sources, 1657). In 1691, chapels were arranged in honor of Anthony and Theodosius of the Caves and in honor of St. Nicholas, whose name from time to time became the main one for "St. Nicholas in Pyzhi." After the ruin in 1812, the temple was restored, starting in 1848, with the money of the merchants Lyamin. Exhibition: 2016 The personal exhibition "Without formulas" in the gallery of the Transfiguration Cathedral, the State Vladimir-Suzdal Museum-Reserve. (Suzdal) Publication: Personal exhibition poster 2016 "Without formulas" in the gallery of the Transfiguration Cathedral, the State Vladimir-Suzdal Museum-Reserve. (Suzdal)
Details & Dimensions
Multi-paneled Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:13.8 W x 11.8 H x 0.1 D in
Number of Panels:2
Frame:Brown
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Russia.
Customs:Shipments from Russia may experience delays due to country's regulations for exporting valuable artworks.
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Russia
1979 Born in Moscow. Committed to the Russian realistic school, graduate of the Russian Academy of Painting, Sculpture and Architecture, he aspires for absolute fidelity in reproducing the reality.I am driven by the desire to do this very kind of creative activity, one which would tell the truth about the surrounding world, Simon says, Any reproduction is subjective indeed, but I do hope that my painting is close to nature and harmony. I do what I am interested in, what I believe in. Thus I try to find unusual motifs, themes, I travel a lot, read a lot, watch a lot.The artists range of interests is wide: historical picture, still life, landscape, illustration. Unusual is his approach to solution of each new canvas, no formulas, nothing typical. Some canvases appeal at once by the consummate craft, fullness of colour and light, and feel. Others require focused attention, contemplation, rational approach.
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