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"The Magnificent One" Painting

David Chevtaikin, United States

Painting, Enamel on Canvas

30 W x 42 H in

Framed

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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Painting: Acrylic, Enamel and Spray Paint on Canvas Playing with found materials such as wall paper such used in Victorian era with floral and nature prints fused with graffiti stenciling and spray painting led me to this garden Victorian wallpaper print type artwork which is timeless yet contempo...

Year Created:

2016

Subject:
Mediums:

Painting, Enamel on Canvas

Rarity:

One-of-a-kind Artwork

Size:

30 W x 42 H x 0.8 D in

Ready to Hang:

Not Applicable

Frame:

White

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

David Chevtaikin is a New York–based multidisciplinary artist working between abstract expression and conceptual minimalism. With a foundation in Illustration, Graphic Design, and Photography, his practice moves fluidly across traditional and nontraditional mediums. Shaped by years immersed in New York City’s gallery and museum landscape, as well as a background in large-scale installation and display, his work reflects a sensitivity to space, composition, and the subtle interplay of form, light, and dimension. Over the past decade, Chevtaikin has developed a distinct visual language he defines as “Minimalistic Complexity” his own stylization a study in tension between restraint and intricacy. His compositions unfold, revealing layered structures, controlled disruption, and quiet movement. Beyond the visual, his paintings seem to operate at a different register—where meaning is not explicitly given, but sensed. What emerges is less a narrative than a presence: something unspoken, felt before understood. work exists in that threshold where language dissolves inviting not explanation, but experience.

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