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The Mauling of Milo de Cretone Painting

Robert Walker

United Kingdom

Painting, Oil on Canvas

Size: 22 W x 32 H x 2 D in

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Originally listed for $1,990
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About The Artwork

Milo de Crotone was a Greek athlete of the 6th century BC. He won many titles at the Panhellenic Games in the decades 530 to 510 BC in wrestling events, winning six or seven crowns at Olympia, six or seven at Delphi, nine at Nemea and ten at the Isthmus. According to legend Milo was crossing Italy and having found on the way an old oak tree cut down and half-opened, he undertook to finish splitting it with his bare hands - but as the tree sprung back to its original state and not having had time to withdraw his fingers, he became a prisoner of the tree his fingers vice-bound. Not being able to extricate himself and unable to defend himself, a pack of wolves devoured him.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:22 W x 32 H x 2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Robert Walker a Suffolk-based fine art painter best known for his 'geo-figurative' works and quirky still lifes. He mainly paints in oils enjoying its multiple technique uses and is currently experimenting in mixed media as he further develops his practice. Intrigued by the semiotics of the figure his newer works derive their meaning based on the model's body language or expression and a chosen perceived cue. This can enjoy many interpretations and oft wrong-foots the viewer creating a new dynamic between artist and observer. He enjoys the interplay of the organic figure together with linear and ovoid geometric forms bound together in tight colour harmonies and compositions, and now leans towards an intuitive approach having studied formal composition and colour theory. His use of figurative ‘electric’ outlines expresses his desire to communicate the potent energy, often latent, that exists within each individual human and his use of 'guard' lines serve to protect the model , solidify his compositions and engineer further spatial depth. As such his work can be considered abstract expressionist. His latest series of works mix his master techniques, and often artistic canons, to deliver a compelling contemporary twist, an avenue that he is keen to continue exploring. He is a Member of the Visual Artists Association an organisation he quotes as having had a huge impact on his attitude and approach towards his work giving him the confidence and support to move forward in sharing it with others. When he's away from his easel he's most likely to be found with his guitar, reading or travelling and always learning.

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