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The Tempest - The green ray Pintura de richard martin - detall
The Tempest - The green ray Pintura de richard martin - detall
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The Tempest - The green ray Painting

Richard Martin Vidal

Spain

Painting, Acrylic on Canvas

Size: 59.1 W x 39.4 H x 1.2 D in

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About The Artwork

© Title: The Tempest - The green ray Acrylic - 100cm x 150cm The work is about a very personal critical moment and difficult to express in words. There is an attempt to fight. From leaving the psychic storm. We have to move forward. The composition is based on three parts. The sea represents the past. The effort to combat the wave of feelings, memories and nostalgia. The suffering is symbolized by the red drop and the cross. In the middle is the present. Where the sailor's hope goes in the right direction following the green ray just above the horizon and before entering the darkness of the soul. The sky is the future, as always in movement and sometimes full of contrasts of light. The concept of the flash or green ray was popularized by the novel The Green Ray of 1882, by Jules Verne, which describes its color as "[...] a green that no artist could ever obtain in his palette, a green of which neither the varied tints of vegetation nor the tones of the purest sea could ever produce an equal. If there is a green in Paradise, it cannot be saved from this hue, which is most certainly the true green of Hope! '

Details & Dimensions

Multi-paneled Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:59.1 W x 39.4 H x 1.2 D in

Number of Panels:2

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BIO: Nacido en 1968 en Zürich, sus orígenes provienen de dos culturas muy diferentes que han influido en el momento y la forma de trabajar donde hay una búsqueda constante del equilibrio entre la parte lógica y la más mediterránea. “El arte es una aventura en un mundo desconocido, diferente para cada espectador.” Richard Martin Maya Born in 1968 in Zürich, my origins come from two very different cultures that have influenced the moment and the way of working where there is a constant search for balance between the logical and the more Mediterranean part. “Art is an adventure in an unknown world, different for each viewer.” +++ Camino personal: "El curvisme o curvismo no lo he inventado yo, ya que esta y estará presente en la naturaleza". Como estilo busca la interconexión de la naturaleza en su globalidad mediante el proceso creativo inconsciente del arte. La sintaxis de la curva como lenguaje pictórico con la mirada al informalismo, al surrealismo, entre otros movimientos y el interés de Jung sobre el inconsciente colectivo en que los seres humanos compartimos mediante las experiencias reales, imaginarias u oniricas. Trabajo conceptual de la obra La curva o el plano curvo como fratalizador de los que nos rodea de forma interna y externa en relación a nosotros y a los que nos rodea. La curva como sumatorio de expresión y sentimientos mediante líneas curvas e infinitas; hay, pues, una búsqueda de la curva como elemento de lenguaje, donde la gestualidad y la espontaneidad son latentes y generan dosis de informalismo. El color es el impulso interior, las emociones y la semiótica, junto con la simbología heredada y la actual como lenguaje universal. Bajo estos parámetros, la obra se construirá de situaciones del mundo actual y del pasado, que abarcan desde el ámbito social hasta el étnico, el espiritual o el económico, principalmente i hacer reflexionar al espectador a través de dos conceptos: la sincronicidad de Jung y el insconciente colectivo. Una misma persona en función de la edad, experiencia personal en su imaginario dotará de significado lo que percibe a través de los diferentes elementos pictóricos que aparecen.

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