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"The Time Lapse. Hong Kong Through The Decades." Painting

Phil Davis, United Kingdom

Painting, Acrylic on Plywood

43.3 W x 35.4 H in

Framed, Ready to Hang

$4,240

Shipping Included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

My intention was to depict the evolving cityscape and harbour of Hong Kong through the decades, from the time of China as a crown colony of the UK to the present day. In this painting, I've melded acrylics and ink with layers of spray paint and enamel, capped by the technique of stencil printing. I...

Year Created:

2018

Subject:
Mediums:

Painting, Acrylic on Plywood

Rarity:

One-of-a-kind Artwork

Size:

43.3 W x 35.4 H x 2 D in

Ready to Hang:

Yes

Frame:

White

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Phil Davis studied Fine Art and Sculpture at Loughborough University, completing his degree in 2004. An accomplished draughtsman, Phil initially presented scenic depictions and travel experiences in pencil and oil pastel, using intense, bold colours as a way of reflecting a childlike wonder in the new, and in a sense the extreme, sometimes uncomfortable emotional commitment involved in relating to the culturally unfamiliar. Changing to working largely with oils resulted in work of much greater vibrancy, and allowed the extreme emotional sensations in which he was interested to be committed more successfully to canvas. His work now strives to acknowledge both the positive and negative energies, the good and the bad consequences, of these emotions, and how they inform our view of the world around us. More and more he attempts to inject the same feeling into his portrait/figurative work by representing the figurative form as an emotionally charged contradiction, as a twisted and gnarled yet beautiful representation of pain and raw feeling, as well as an object of pure physicality.

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