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Painting, Acrylic on Other
Size: 20.1 W x 29.9 H x 0.2 D in
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$890
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1613 Views
16
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ABOUT THE ARTWORK
My observation of this striking wedding outfit was my inspiration for this painting. It was first painted in 2013 and reworked in 2020. The contour, texture, pattern and colours gave me the form and the desire to expand with juxtapositions of shape, I am not sure I can explain why I did it this way, if it pleases, then then that is enough. The work consists of a Rowney Cryla acrylic base coat of burnt orange, then opaque pigments are used to lay down the undercoating of some of the subject matter. Subsequently using acrylic paint in washes which has been thinned using Liquidex airbrush medium. This layering of the work allows for subtle tonal attributes that give depth and intensity. The overall result is an acrylic painting with a degree of luminosity rather than the usual flat acrylic finish. Finished with a coat of Winsor & Newton Satin UV varnish, this not only protects the painting, but has a unifying effect. A suggested frame width of at least 60mm or more for this size painting.
Original Created:
2013
Subjects:
Styles:
Mediums:
DETAILS AND DIMENSIONS
Painting:
Acrylic on Other
Original:
One-of-a-kind Artwork
Size:
20.1 W x 29.9 H x 0.2 D in
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships in a Box
SHIPPING AND RETURNS
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Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
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Nicholas Robertson
United Kingdom
Born in Gloucester and living and working in Cheltenham UK. I like to work in acrylic because it allows me to experiment, making changes quickly is paramount when wishing to explore your options. I suspect like most figurative artists I find drawing and painting the human form wholly embedded with human behaviour. The desire to secure more than a representation of a persons movement, the spilling of light over contours or the various other physical facets is the reason we continue to make paintings. To recast emotions in texture, colour and pattern and to make it still, perhaps this is a measure of a successful painting. I have sold work around the world, to individuals and organisations and have produced award winning public art (usually with a colleague) for various institutions.
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