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I started with two figures, but as so often the painting grows and grows. Now I see that there is more going on. As always. Acrylic on canvas, mounted on aluminium stretcher bars 160x120cm.
I started with two figures, but as so often the painting grows and grows. Now I see that there is more going on. As always. Acrylic on canvas, mounted on aluminium stretcher bars 160x120cm.
I started with two figures, but as so often the painting grows and grows. Now I see that there is more going on. As always. Acrylic on canvas, mounted on aluminium stretcher bars 160x120cm.
I started with two figures, but as so often the painting grows and grows. Now I see that there is more going on. As always. Acrylic on canvas, mounted on aluminium stretcher bars 160x120cm.
I started with two figures, but as so often the painting grows and grows. Now I see that there is more going on. As always. Acrylic on canvas, mounted on aluminium stretcher bars 160x120cm.

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The fabulous two Painting

Max de Winter

Netherlands

Painting, Acrylic on Canvas

Size: 47.2 W x 63 H x 1.8 D in

Ships in a Tube

SOLD
Originally listed for $7,140

4995 Views

110

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ABOUT THE ARTWORK

I started with two figures, but as so often the painting grows and grows. Now I see that there is more going on. As always. Acrylic on canvas, mounted on aluminium stretcher bars 160x120cm.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

47.2 W x 63 H x 1.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I started in my art-education with photography, but changed quickly to art, design and illustration. After the Academy of Arts I landed in Amsterdam and stayed there for 23 years, then running a creative centre elsewhere. Now i live and work in the North of the Netherlands, where I created a only-Art-related-environment: member of group of artists and participating in an Art-foundation. About my artwork: At first sight there is a lot of movement in my paintings, but if you look closer there is no direct movement at all. The figures are there, they look at you, but you can't look them in the eyes. They want to stay incognito. They do not want to be recognized. It is all a structure of lines, together with an often simple use of color. About my other artwork: Every year I paint images of completely abandoned villages and empty flat landscapes.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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