The idiot Painting

In the center of my artistic research stands the man as a being far too complex, mystical and contradictory at the same time... He is a being in concern that puts itself into infinity and where change is just as important as his own existence. For me the depth and complexity of the human soul (and the soul as an existence of everything) is the mean for artistic dialogue. Affection and artistic structure are inseparable and moreover complete each other. Contradiction lies on instability and anxiety of change, while mysticism is the depth of the soul. Human Dialogue (soul) with reality remains in the core of my creativity. The way that this interaction unfolds, the traces this conflict leaves, like an ongoing reaction, composes the light and the core of my work. Time, history, rationality, subjectivity, affection, character, consciousness unconscious, etc. are all elements of this magical divine reaction (in the sense that Jung had for this phrase) where the artist tries to find the appropriate language to express it. But man is also a social being that often his universe and originality stand as a parallel shadow. It is needed for him to chew a social system where he grows and transforms. In our age to be a part of the system constitutes the obligation of unavoidable existential. Being active in a group is safety, where the individual`s participation is a necessity for the survival of the group itself. But the ideal that guides the system often does not match with the ideal of the individual as a being for being. That`s why the attraction to subjectivity and the world`s affection is inevitable. My characters stand in an unrealistic world, probably in a deaf emptiness where the individual imposes his state. He is a contradiction, a withdrawn consequence and he sees his revolt on the removal of reality. He is a trace, or better a historic fossil where everything is condensed to himself. Monologue is an urgent issue. Avoiding the pressure of time is a necessary challenge that my characters turn it into drama. Passing from death to life and vice versa, is freedom. Myths, fables are an expression of this freedom or this artistic revolt and therefore I often have to submit Mythological characters that have the appearance of modern man. Matter for me is an important issue. Oil, metals, dust, stainless steel, fabrics, and objects closer to the man, are materials in service. The exit from the dimensional of the canvas to the three- dimensional is one of the permanent forms of my work. This represents the anxiety of dialogue between spirit and reality, rationality and irrationality.

Painting:Oil on Aluminium

Original:One-of-a-kind Artwork

Size:46.1 W x 47.2 H x 1.6 D in

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