1201 Views
37
View In My Room
Painting, Oil on Canvas
Size: 51.2 W x 63.8 H x 1 D in
Ships in a Crate
1201 Views
37
Artist featured in a collection
I started this work during the bright lights of July 2014. By the action of heat, the soft asphalt ground seemed both heavy and inflated like a "soufflé"; the air vibe was so thick you could cut it with a knife and, just two steps away the studio, in a fuzzy scene, a kind of steam was rising from the Loire banks with an extraordinary lightness. Summer was installed and mating season has begun. The low heavy-flying of the gray cranes, that nest just across the river, hardly followed by chicks, brought me back to that belief of the horizon. Facing quite a large canvas, I wondered then if I can work in a space and negate this horizon. Human's perception is structured in such a way that you are always in search of the horizon. In this painting, the red brings the picture to the surface and introduces a new dimension in the space.
Oil on Canvas
One-of-a-kind Artwork
51.2 W x 63.8 H x 1 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
France.
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France
Statement: REALITY IS IN THE MANUFACTURE OF THE PAINTING. WHO: Guy Matchoro, is an autodidact artist. He lives and works in Nevers, France, where he has installed his studio since 2013. After a creative process nourished and fuelled with encounters and artistic collaborations, in particular in Kyoto, Japan, where he lived for a time, he focuses its studies towards a pictorial approach based and thought from a materiality of painting. WHAT: I began the past years a pictorial practice fully based and thought from what was strictly physical and material in painting. I have always been fascinated by the materiality of painting by its tactile side - its tactility and how this affinity should be able to finally transmit feelings and ideas which could be very very abstract. My relationship to painting is not any more in term of capture of the real-world. It is the picture in itself which is reality. What is the reality ? It's the reality of the act to paint which comes to appear there. I any more will not seek something elsewhere to nourish it or to justify it. WHERE: I placed myself by the teachings that I have learned from painters, books, museums, exhibitions, writings, but even more by traveling around the world... And the development of the practice in this line, while on the move, or working in the studio, in front of that tradition of the abstraction not like a stylistic choice but rather like a way of placing itself with respect vis-à-vis the Real. WHEN: My «job» as a painter is made up of moments. A series of moments of truth which represent actually the taking risk of the artist. The moment of truth is “of truth” when it irreversibly fixes something on which you cannot return: One moment that you cannot play again. If time is closed implacably with our incapacity to be able to play again, in the same time, it opens us to an infinite depth with freedom to produce the new one. Painting confirms what time affirms while making use as much of the daily life that moments of truth which are works of art. A time when nostalgia under the influence of memory leaves place and gives life to the merry assent of the incipient future.
Artist featured by Saatchi Art in a collection
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