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"There Are No Edges" Painting

Melanie Biehle, United States

Painting, Acrylic on Wood

18 W x 24 H in

Ready to Hang

$1,013

Shipping Included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Maybe when our bodies are done, our energy just blends with the Universe. We become beauty. We finally see and feel that we are all one. Pure love. No edges. This painting was created with acrylic paint over heavy art paper that has been collaged to cradled wood panel, giving the painting additiona...

Year Created:

2022

Subject:
Mediums:

Painting, Acrylic on Wood

Rarity:

One-of-a-kind Artwork

Size:

18 W x 24 H x 1.5 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

Melanie Biehle is an abstract painter based in Seattle whose work explores the emotional and sensory experience of place. With a background in psychology, writing, and photography, she creates layered compositions shaped by travel, memory, and the built environment. Her paintings move between soft, atmospheric fields of color and precise, architectural structures -- a duality reflecting the balance of calm and inspiration she finds in the landscapes and cities that shape her. The ocean is her deepest source of creative energy: its shifting blues and ever-changing shoreline inform both her palette and her emotions. She also draws from the mossy greens and rocky coasts of the Pacific Northwest, the lived-in modernism and desert plant life of Southern California, the refined geometry of Parisian Haussmann buildings, and the dramatic hillside towns of the Mediterranean, where elevation, light, and weathered surfaces above the sea create quiet, natural drama. Distressing her surfaces with natural materials like shells and stones or building layers with texture mediums, Melanie grounds her abstractions in the tactile memory of real places, exploring the intersection of abstraction, architecture, and the immersive experience of landscape.

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