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'Things Look Clear in Black and White' Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 28 W x 22 H x 0.2 D in

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$500USD

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About The Artwork

Things look clear in black and white The living color tends to dye our sight Like dynomite Just imagine my surprise When I looked into your eyes and saw Your disguise If we dare expose our hearts Just to feel the purest parts That's when strange sensations start to grow We are not alone Find out when your cover's blown There'll be somebody there to break your fall We are not alone 'Cause when you cut down to the bone We're really not so different after all After all We're not alone Flying high above the sky The battles down below look simplified With no place to hide But on inspection of the dust I came upon this thing called trust It helps us to adjust Just imagine my surprise When I looked into your eyes I knew right then I'd never let you go We are not alone Find out when your cover's blown There'll be somebody there to break your fall We are not alone 'Cause when you cut down to the bone We're really not so different after all After all We're not alone Not alone After all Not alone If we dare expose our hearts Just to feel the purest parts That's when strange sensations start to grow We are not alone Find out when your cover's blown There'll be somebody there to break your fall We are not alone 'Cause when you cut down to the bone We're really not so different after all After all We're not alone We are not alone Find out when your cover's blown There'll be somebody there to break your fall We are not alone 'Cause when you cut down to the bone We're really not so different after all After all After all ‘We Are Not Alone’ by Karla DeVito Songwriters: Karla Jayne De Vito / Robby Benson / Steven Robert Goldstein The Breakfast Club is a 1985 American teen coming-of-age comedy-drama film written, produced, and directed by John Hughes. It stars Emilio Estevez, Anthony Michael Hall, Judd Nelson, Molly Ringwald and Ally Sheedy as teenagers from different high school cliques who spend a Saturday in detention with their authoritarian assistant principal (Paul Gleason). The film premiered in Los Angeles on February 7, 1985. Universal Pictures released it in cinemas in the United States on February 15, 1985. It received critical acclaim and earned $51.5 million on a $1 million budget. Critics consider it to be one of Hughes's most memorable and recognizable works. The media referred to the film's five main actors as members of a group called the "Brat Pack". In 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The film was digitally remastered and was re-screened in 430 theaters in celebration of its 30th anniversary in 2015. The film's soundtrack, The Breakfast Club (Original Motion Picture Soundtrack), was produced by British pop musician Keith Forseyand released on February 19, 1985 by A&M Records. The album peaked at No. 17 on the US Billboard 200 album chart. The song "Don't You (Forget About Me)" performed by Scottish rock band Simple Minds was released on February 20, 1985 in the United States and on April 8, 1985 in the United Kingdom as a single and reached No. 1 on the Billboard Hot 100. Source: Wikipedia

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:28 W x 22 H x 0.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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