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To be born_01 Painting

Hiroshi Wada

Japan

Painting, Ink on Paper

Size: 48 W x 37 H x 1 D in

This artwork is not for sale.
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About The Artwork

In ancient times, people were impressed by the way plants grew upward without any hesitation even in a difficult situations. So they created the character of [生] (birth/ to live) to express their feeling. At first, seeds stretch out roots firmly in the soil and take in lots of nutrition from the land. Then, going outside the world, breathing in the fresh air, and growing toward the light. People felt the wonder of the energy. We also just move forward in our own way even facing difficulties. The origins of the character for "live" teach us the important basics of "living". The work is paneled, which is supported by a wooden board. Metal hooks are attached to the back, and ready to hang on the wall.

Details & Dimensions

Painting:Ink on Paper

Original:One-of-a-kind Artwork

Size:48 W x 37 H x 1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

He is a Japanese calligraphy artist based in Kyoto, Japan. Not wanting to blindly follow the normal patterns of calligraphy, Wada aims at exploring the new expressions of classical Japanese Calligraphy that can appeal to our aesthetic appreciation even outside of the settings of classical Japanese Calligraphy. Instead of siding with Japanese ‟avant-garde calligraphy”, almost formless formative art with Indian ink, his works retain the functional aspect of calligraphy, thus being more readable and comprehensive. While those who receive the traditional training of calligraphy must go through "rinsho", which is equivalent to the training of dessin in the old art academies, Wada tries to free himself of his long training and draw joyously and innocently like a child. Even so, the lines of characters should be progressive but readable. He tries to realize his welled-up passion into minimal art. This is the calligraphy style he wishes to achieve.

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