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These are not postcards from a souvenir shop. We are not going to show picturesque or emblematic places. We will present images as if it were a memory. As if we had lived it. I was inspired by the work of Edward Hopper, which says about his own work: "My aim in painting has always been the most exact transcription possible of my most intimate impressions of nature. I have tried to present my sensations in what is the most congenial and impressive form possible to me. " For this reason we will often see works with an unfinished appearance, with rough brushstrokes. Because it does not matter to be faithful to the appearance, but faithful to the essence. And the essence is not the perfect or the neat, but life itself; a dirty and lively battle to defend what we are.
These are not postcards from a souvenir shop. We are not going to show picturesque or emblematic places. We will present images as if it were a memory. As if we had lived it. I was inspired by the work of Edward Hopper, which says about his own work: "My aim in painting has always been the most exact transcription possible of my most intimate impressions of nature. I have tried to present my sensations in what is the most congenial and impressive form possible to me. " For this reason we will often see works with an unfinished appearance, with rough brushstrokes. Because it does not matter to be faithful to the appearance, but faithful to the essence. And the essence is not the perfect or the neat, but life itself; a dirty and lively battle to defend what we are.
These are not postcards from a souvenir shop. We are not going to show picturesque or emblematic places. We will present images as if it were a memory. As if we had lived it. I was inspired by the work of Edward Hopper, which says about his own work: "My aim in painting has always been the most exact transcription possible of my most intimate impressions of nature. I have tried to present my sensations in what is the most congenial and impressive form possible to me. " For this reason we will often see works with an unfinished appearance, with rough brushstrokes. Because it does not matter to be faithful to the appearance, but faithful to the essence. And the essence is not the perfect or the neat, but life itself; a dirty and lively battle to defend what we are.
These are not postcards from a souvenir shop. We are not going to show picturesque or emblematic places. We will present images as if it were a memory. As if we had lived it. I was inspired by the work of Edward Hopper, which says about his own work: "My aim in painting has always been the most exact transcription possible of my most intimate impressions of nature. I have tried to present my sensations in what is the most congenial and impressive form possible to me. " For this reason we will often see works with an unfinished appearance, with rough brushstrokes. Because it does not matter to be faithful to the appearance, but faithful to the essence. And the essence is not the perfect or the neat, but life itself; a dirty and lively battle to defend what we are.
These are not postcards from a souvenir shop. We are not going to show picturesque or emblematic places. We will present images as if it were a memory. As if we had lived it. I was inspired by the work of Edward Hopper, which says about his own work: "My aim in painting has always been the most exact transcription possible of my most intimate impressions of nature. I have tried to present my sensations in what is the most congenial and impressive form possible to me. " For this reason we will often see works with an unfinished appearance, with rough brushstrokes. Because it does not matter to be faithful to the appearance, but faithful to the essence. And the essence is not the perfect or the neat, but life itself; a dirty and lively battle to defend what we are.
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Tree on the street of the Marquis of Turia Painting

Samuel Garijo

Spain

Painting, Acrylic on Wood

Size: 15.7 W x 23.6 H x 0.8 D in

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Originally listed for $240
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About The Artwork

These are not postcards from a souvenir shop. We are not going to show picturesque or emblematic places. We will present images as if it were a memory. As if we had lived it. I was inspired by the work of Edward Hopper, which says about his own work: "My aim in painting has always been the most exact transcription possible of my most intimate impressions of nature. I have tried to present my sensations in what is the most congenial and impressive form possible to me. " For this reason we will often see works with an unfinished appearance, with rough brushstrokes. Because it does not matter to be faithful to the appearance, but faithful to the essence. And the essence is not the perfect or the neat, but life itself; a dirty and lively battle to defend what we are.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:15.7 W x 23.6 H x 0.8 D in

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