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Painting, Acrylic on Canvas
Size: 7.9 W x 23.6 H x 0.6 D in
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Green variation part of the square collection, from acid to plain green, spectrum of greens to observe light and colors on different size and interactions. part of the square collection. Collection of 46 painting based on the same color palette. Exploring colors influence and color theory related to surface and light. 2020. I created a collection of painting investigating the different color theories: Goethe, Albers, Newton, Pastoureau... and dis some experience related to surface and relation with space. All paintings are the same surface and and I tried different color techniques such as halation, monochromatic, triadic, tetradic, complementary.. I want to translate my journey of colors through hard edge paintings and create an escape for the viewer and propose a new exit. More infos on Triptych of 3 paintings, acrylic and pigments on canvas, 20x20 (cm) x3 Position can be changed and each sides are compatibles
Acrylic on Canvas
One-of-a-kind Artwork
7.9 W x 23.6 H x 0.6 D in
Not Framed
Not applicable
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Israel.
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French-Israeli artist, lives and works in Tel Aviv, Israel. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008. She believes that order in chaos leads to an equilibrium of harmony. Jessica ’s corpus of art is an infinite voyage. Her calling never discovers a termination. Light is an exceptional commodity for her, the infinite evolution of colors, untangible moment of grace, and interactions with architecture. her process starts by translating this reflection and materialize them in shapes, lines and color harmonies She builds utopian architecture (mindscape) where she unveils impossible geometry. Her art-objects are keys to new dimensions, a new approach of colors. the structures display optical illusion that distract us from rational thinking and logic. Her art is inspired by former Bauhaus artists like Josef Albers. Jessica lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material. She believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism.
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