Undisclosed Opus 11 Painting

Magali Feuga, a French artist based on Australia’s Sunshine Coast, has a figurative practice that activates an emotional depth in both subject and observer. Growing up aboard her parent’s sailboat, Magali’s curiosity in art developed as her artist father encouraged her creative pursuits. She studied at the EMAP Villa Thiole in Nice in the late 90s, and her practice evolved through self–instruction, influenced by further travel over two decades as a nomadic private chef. After settling in Australia, Magali began to focus primarily on art, with people emerging as a frequent symbol in her body of work. She continues to dwell on the human form through values of self-expression and connection. Portraits and figures, created mostly with acrylic and mixed media, convey vivid emotions through light and expression. These representational and spiritual introspections have featured in Magali’s pasts exhibitions and art prizes over recent years and appear online via her website and social media. With ongoing projects and upcoming exhibitions, Magali is dedicated to developing her practice and hopes to further question what it means to be human through her work. “Finding a constant source of inspiration in people, my work focusses on a portrayal of the human form that values internal worlds and unique ways of being. With each emotionally charged portrait and figure aiming to manifest a sense of humanity and connection. I draw from social and creative sources to inform my representation of emotion and spirit. Influenced by the Renaissance and Expressionism, I also like to borrow elements from graphic design and street art. Travel has inspired my focus on the human figure, too. Growing up on my parents’ boat around the world led to less of a love for places than of their people. With an openness for original outcomes, I experiment with expressive features and poses using various techniques and mediums with a tendency for acrylic, ink, marker pens, oil sticks, and occasionally spray paint and collage. Yet, my approach is typically not wedded to certain methodologies but instead pursues energy and visual impact over realistic depiction. A portrait is not just an image of someone. It is also about feelings and thoughts. Offering room to interpretation, my body of work asks viewers to realise their individuality and consider their link to others.”