VIEW IN MY ROOM
United Kingdom
Painting, Charcoal on Wood
Size: 23.6 W x 33.8 H x 1.2 D in
Ships in a Box
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Featured in Rising Stars
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(This work is painted on board mounted on a wooden canvas stretcher.) My practice is an exploration of the relationship between image and Language. By divorcing both from their assigned values and conflating them, my work posits that text and image are arbitrary. The work sits between mediums, neither print nor painting. This has allowed me to explore the tensions between language and image from both a conceptual and material standpoint. Historically, painting has been responsible for the creation of imagery and printing for the dissemination of text. Utilising this relationship, my work does no more than aim to reinstate the ambiguous nature of both. Between familiarity and illegibility, my practice is about arbitrariness. Language is considered and explored as visual material, and imagery is formatted and distorted, finding itself in the midst of a blurred distinction. Recognisable but displaced.
Original Created:2018
Subjects:Abstract
Materials:WoodSoft (Yarn, Cotton, Fabric)
Styles:AbstractConceptualFine Art
Painting:Charcoal on Wood
Original:One-of-a-kind Artwork
Size:23.6 W x 33.8 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Isaac Moss is an artist based in Berlin. A graduate as of June 2018, Isaac studied ‘Fine Arts’ specialising in painting at the Edinburgh College of Art. Isaac’s practice explores the relationship between image and language, predominantly using the mediums of painting and printmaking.----------------------------------------------------------------- My practice is an exploration of the relationship between image and Language. By divorcing both from their assigned values and conflating them, my work posits that text and image are arbitrary. The work sits between mediums, neither print nor painting. This has allowed me to explore the tensions between language and image from both a conceptual and material standpoint.--------------------------------------------- Historically, painting has been responsible for the creation of imagery and printing for the dissemination of text. Utilising this relationship, my work does no more than aim to reinstate the ambiguous nature of both. Between familiarity and illegibility, my practice is about arbitrariness. Language is considered and explored as visual material, and imagery is formatted and distorted, finding itself in the midst of a blurred distinction. Recognisable but displaced.
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