Make Spirits Bright with New Art

Make Spirits Bright with New Art

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Warm winter day Painting

Sylwia Suma-Bolofo

Painting, Oil on Cardboard

Size: 14 W x 19.9 H x 0.1 D in

Ships in a Box

This artwork is not for sale.

790 Views

10

Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

oil on gessoed card

Original Created:

2015

Subjects:
Materials:
Mediums:
DETAILS AND DIMENSIONS
Painting:

Oil on Cardboard

Original:

One-of-a-kind Artwork

Size:

14 W x 19.9 H x 0.1 D in

Frame:

Not Framed

Ready to Hang:

Not applicable

Packaging:

Ships in a Box

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Delivery Cost:

Shipping is included.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Poland.

Customs:

Shipments from Poland may experience delays due to country's regulations for exporting valuable artworks.

Have additional questions?

Please visit our help section or contact us.

Of The Architecture of Beauty in Painting Sylwia Suma's images take us into the world of classical painting, following on from the revolution of vision initiated by the impressionists view painters absorbed pure, bright colours of nature, mainly from landscapes, transforming them with the power of sensation into framed transient phenomena. Having provided for the visceral experience of colour and light to occur, there could be only a return to a stable, further specified in the form of not only saturated colour, light, but with the viscosity of paint matter itself. S. Suma arrived to this artistic consciousness through her own way of exploration. Her painting is derived from an observation of nature, with selection accorded importance in severity as objective validity and aesthetic qualification. At the root of this, particularly in the landscapes, appear sensual received themes, fascination with the framing selected, that only in the process of painting succumb to far-reaching transformation, validating the importance of selection in building new, unique colour and light moods, but also new forms of structure. While still her impressionistic landscapes are dominated by light and emotional, joyful, bright color, it is also otherwise true of the numerous portraits, or more broadly - images of the form in which the system of the body, gestures, and finally face not only embody the character type, but the individual "building block" expression of emotion, architecture of expression. S. Suma does not stop on a plane of a sensorily perceived world in its perception, but wants it to be understood mentally and with plasticity to give it an appropriate expression. In the depictions of people can be observed a greater dynamic form of images. Impasto applied bigger planes of 'flat colour patches' emanating more with inner light rather than sensorily external lighting shone on the figure. Not without significance we find also deep traces, in some of the paintings, almost relief-like applied paint – authored paths of modeling form with plasticity and successive traces of decisions for painterly gesture. How important that is for "reading" final, galleried versions of painterly matter in the picture.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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