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WAVE OF BURIGANGA Painting

al-akhir sarker

Bangladesh

Painting, Watercolor on Paper

Size: 22 W x 15 H x 0.2 D in

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Originally listed for $380
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About The Artwork

The Buriganga River ( "Old Ganges") is a river in Bangladesh that ranks among the most polluted rivers in the country. It flows past the southwest outskirts of Dhaka city, the capital of Bangladesh. Its average depth is 7.6 metres (25 ft) and its maximum depth is 18 metres (58 ft).In the distant past, a course of the Ganges river used to reach the Bay of Bengal through the Dhaleshwari river. In the 20th century the water table and river became polluted by polythenes and other hazardous substances from demolished buildings near the river banks.The course of the Padma, as the main course of the Ganges is known in Bangladesh, changed considerably during the period 1600 to 2000 AD. It is difficult to trace accurately the various channels through which it flowed, but the probability is that it flowed past Rampur Boalia, through Chalan Beel, the Dhaleshwari and Buriganga rivers, past Dhaka into the Meghna estuary. In the 18th century, the lower course of the river flowed further south. About the middle of the 19th century the main volume of the channel flowed through this southern channel, which came to be known as Kirtinasa. Gradually the Padma adopted its present course.

Details & Dimensions

Painting:Watercolor on Paper

Original:One-of-a-kind Artwork

Size:22 W x 15 H x 0.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

i am an artist, I wanted to dig out my inner feelings, very personal and free feelings, at the same time the very traditional feelings of Bengali people in my paintings, where the tradition, feelings, religious behavior, thoughts, dreams, and moreover the entire Bengali character is present. The people of this region are in a cycle of simplicity as water, as well as complex, also. They are unpredictable, but thoughtful. All time they want entrance in an open nest. They feel their unknown desire in their dreams, but cannot afford all the feelings. Sometimes, desires express their unuttered words like a poet, and the poet feels his existence in the flowers of moss, and religion supplies the hue to the moss flower. The free Bengali forgets his origin. The poet enters into his open nest, his bird rounds his nest, wants to hear the undiscovered story of the isolated life of a woman, and becomes a mystery being, a toy. My work of art is an attempt, to uphold the historic sensitivity, of the modern Bengali.

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