"Wheel of time" series Painting Painting

Vyacheslav was born in 1966 in Gorky. It has been exhibited since 1989. Participant of exhibitions in Russia, France, Germany, Ukraine and the USA. Vyacheslav Golovchenko is a philosopher: in every, even ordinary motive, he sees a reflection of the universal, immutable laws of the universe. So, in the element of the destroyed piano, Vyacheslav saw the music of the Universe, the connection of the Pythagorean theory; in the plane - the creation of the World, the divine idea. He is also attentive to the artistic space: this is evidenced by the element of assemblage and collage, the heterogeneity of materials. The highest point of studying the art space is the creation of the sculpture "Mower" based on the work of Malevich. For Vyacheslav, it is very important to imagine in three-dimensional version the space and the world that the artists of the First Russian avant-Garde created: Kandinsky, Larionov, Malevich and others. A space that has a fundamentally different atmosphere of living. Elizaveta Syrganova Painting, painting, painting this is what, according to the artist, is the universal language that does not require any translation and which is able to express to its full extent something that's located beyond the access of the word. V. Golovchenko refers to 1985 as the beginning of his mature devotion to painting. Since that time his manner underwent major changes: from traditional applied art to experiments with expressively accentuated activation of color to minimalization of the applied means. Such a wide ranging search was spurred by the desire to embrace a lot, namely it allowed the artist to realize the boundless expressive opportunities of painting and the fruitfulness of playing with them. Having survived the shock of the discoveries he came to a specifiic state of sensitive interaction with the color, to the specific listening to the most delicate vibrations of its shades nearing the freedom of associations typical rather for music. And the plastics of his works, their rhythmic structure, often resemble the life of musical pieces. The main theme of V. Golovchenko's works is the human being as a fascinating phenomenon whose inner world is so universal that it can be compared only with nature. Staring at the image of a human being the artist follows up the life of a glance, gesture, expression as manifestation of the endless "apochriphic dialogue" with the Universe, and he sensibly feels it.