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Painting, Acrylic on Plastic
Size: 4.2 W x 9.8 H x 0.2 D in
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66 Views
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Artist featured in a collection
This series of small images of roses is unique due to the circumstances under which they were completed. Work was begun in summer even over them. But then for an indefinite period of time stopped. As on a winter night, I sat and drew them. It was during the days of the Maidan passing in Kiev. When the work came to an end I included an online broadcast from Maidan on a computer. I have forever remembered this day on February 18, 2014 - the beginning of mass killings on Maidan. The day when people sacrificed their lives for freedom. Day when the asphalt washed with blood. During this period, I noticed that my work has some extrasensory preconditions. And these roses are like laying flowers in memory of the dead on the Maidan.
2014
Acrylic on Plastic
One-of-a-kind Artwork
4.2 W x 9.8 H x 0.2 D in
Not Framed
Not applicable
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Czech Republic.
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Czech Republic
I was born in Ukraine in the city of Zhytomyr. After the Kharkov State Art School in 1986 she worked in the Zhytomyr Regional Music and Drama Theatre. I. Kocherga for the position of head of the decoration shop. At the same time, I worked in a fashion studio as an artist-designer of clothes, and in my free time I was engaged in restoration and independently restored icons on a charitable basis in local churches. Since 1989, I began to work in the direction of sacred art and became the initiator of the creation of a family icon-painting workshop. Later, an icon painting school was organized. The method I taught was effective and different from the traditional. The classes were based on a deep study of the works of ancient icon painters, in the best traditions of sacred art, using constructive drawing, plastic anatomy combined with rhythms. In fact, icon painting is a very responsible occupation and requires too much effort. When you paint an icon, you face such tasks as conveying through the image of transcendence, lack of passion, anonymity of the author. And the difficulty lies in the fact that the icon, like no other work, shows all the imprints of the artist's mood and his emotional state. Later, the vector of my work changed dramatically, but an indelible trace of icon-painting rhythms remained on it. Rhythm affects us on a subconscious level. Rhythm as a visualization, as a reflection of interaction. In everything there is interaction, its circle is determined by the range of rhythm. The thought comes as a touch... and the picture becomes a prophecy. A prophecy about your inner states and family events... A prophecy of social cataclysms... and terror... And sometimes the result does not correspond to the original plan.... and I feel that the hand sometimes obeys some kind of Energy. Thus, the picture shows a premonition of sadness , who synthesized in himself personal grief - the death of his father and a public tragedy and the beginning of the war in Ukraine. The same premonition of war was the image of Hitler and graphic works: harsh -Severe-inevitability/977315/4685052/view and Malocclusion and bulging eyes . Although they are also the result of a synthesis of personal experience and social cataclysms. When there is no Interaction, we are affected, and this is not always pleasant for us...
Artist featured by Saatchi Art in a collection
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