626 Views
24
View In My Room
Painting, Acrylic on Canvas
Size: 40.2 W x 29.9 H x 0.6 D in
Ships in a Box
626 Views
24
Showed at the The Other Art Fair
Artist featured in a collection
Winter Run is an attempt to catch the essence of a cold winter morning: crisp air, frost on the pavements shimmering in the rays of rising sun, the first visible breaths of a morning run that form into fog before disappearing. The painting draws upon the impressionistic version of reality, it has dream like quality with depth created by dozens of translucent layers and complex Vrubel like textures of broad mosaic brush strokes. It has been used for Icebreaker print design in Lucas Hugh AW15 collection. () Acrylic on canvas
2014
Acrylic on Canvas
One-of-a-kind Artwork
40.2 W x 29.9 H x 0.6 D in
Not Framed
Not applicable
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In Sudbina’s paintings pieces of frayed reality are artfully combined with areas of pure gestural abstraction, forming her dynamic visual language. This contrast explores the relationship between actuality and human perception, a physical space and a memory of it. Layer by layer, she builds tactile planes interrupted by calligraphic lines of ink. Through a mastery of surface and composition, Sudbina’s paintings imaginatively balance the language of abstraction with references of contemporary life seen through the prism of her artistic vision. Sudbina embarks on her artistic practice with three main stages in mind, for the first layer she considers a traditional figurative representation of reality, to set the colour scheme and composition, providing a context which she refers to as the Ego. Occasionally she begins with pure abstraction starting from the gestural base, allowing the canvas to guide her into discovering the composition. The second layer is Sudbina’s Id, an intuitive state of concentration in which her raw, gestural mark making is dictated by her subconscious. The third stage, the SuperEgo, is about finding compositional balance through non-action and negative action, standing back to analyse and then jumping forward to undo, scrape or cover up parts of the painting. In essence, Sudbina’s point of departure is a debate between choice and chance. Her hands choose to control her chosen mediums, acrylic and ink using small found objects, a process which is juxtaposed by the chance involved in gestural mark making, such as the independent behaviour of materials, a splash of ink or the unpredictability of mixing colour. In building a composition, Sudbina finds herself in a meditative state, guided by her subconscious thoughts, memories and experiences, each painting becoming its own spiritual journey. For several years, Sudbina’s worked closely with the world’s leading Architects and Interior Designers. These working environments and experiences greatly informed her outlook, instilling an inclination toward all things high-quality and aesthetic, a familiarity which is visible in her use of colour, texture and compositions, particularly her Interior of the Mind series. While studying at Central Saint Martins, Sudbina began combining her training in academic drawing and painting, which she had studied under the esteemed Moscow artist Maria Burganova, with the freedom of abstraction.
Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London, London, London
Artist featured by Saatchi Art in a collection
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