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XXL Landscape at 11.13AM Painting

Kseniya Rai

Portugal

Painting, Oil on Canvas

Size: 45.3 W x 61 H x 0.4 D in

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$2,000

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About The Artwork

This painting is from the series "Landscapes", in which repulsed not by a lot of details, but covering a vast space in which everyone can find his own world, this time I decided to immerse myself in the reflection of silence. The painting, like a portal, is filled with invisible light, creating a sense of lightness and spaciousness within. Each brush stroke is reminiscent of nature's breath, its endless flow and changeability. Colors mixed with a light touch seem to dance on the canvas, creating a unique harmony. But here there is no attempt to explain anything, the painting simply flirts with the viewer, opening new shades, inspiring dreams and free reflections. Painting will be shipped in a roll. Canvas size 167*125 cm, painting size after stretching on wood 155*115 cm. Exhibitions: 2023 - Kunstschaufenster, Wien, Austria 2023 - group exhibition The Stage gallery, Bonn, Germany 2022 - Solo exhibition at Rustem ketab evi Gallery, Nicosia

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:45.3 W x 61 H x 0.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Kseniya Rai, a contemporary artist whose footprint in art is becoming increasingly assured. Kseniya feeds her muse with experimentation and is not afraid to radically switch approaches to creativity and stylistics. The only thing that remains unchanged is working within series and creating her own micro universes in which the artist plays out increasingly complex constructions and interrelationships. Now Kseniya focuses on the analysis of shapes, colour, simple combinations, in more complex compositions. Neo-cubism, surrealism, her usual elements of abstraction, the eternal themes of interaction in personal relationships, relationships between people, as an all unified and interconnected organic whole, but something that reflects the modern era of technologisation, the active integration of AI, the rapid progress with which our society is now imbued. It is as if we are at the crossroads of two epochs and we have not yet decided what we want more, to preserve tradition and authentic canons or to plunge wholeheartedly and boldly into new technological worlds, where in the future, perhaps, we will come to space flight, we will have cures for diseases that are incurable now, we will be able to replace worn-out parts of our body with mechanical ones, where we will be puzzled by completely new questions about humanity and ethics. And while this may scare some people, for the artist it is a direct inspiration. There is something divine and sacred about it, it's like playing with invisible matter on the subtle plane. Kseniya's plots are filled with mythology and complex psychedelia. And it seems that the author doesn't do it deliberately, laying down and programming the reaction, she is like a guide who unconsciously decodes the images in a more understandable way. There is a certain understatement that is a mystery and makes you ask questions. It is not a typical classical cubism, which seems to have no ways of development, it is an exceptional author's rethinking and search for a new way in painting. The artist's strong point is the fullness of the series, when there is not even a chance for a scrupulous, sort of exhausted invention of the plot, due to which a similar lightness in the narrative is achieved, when the plots flow from one to the next canvas. It is reminiscent of the well-written structure of a book or a piece of music, where the whole painting is perceived not as a separate element but as a single harmonious organism.

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