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19
View In My Room
Painting, Oil on Canvas
Size: 20.9 W x 25.6 H x 0.7 D in
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74 Views
19
Artist featured in a collection
I explore something about people through my work, express culture, and express the sum of life that people's lives have created with my own body. The formal feature of the work was to reveal the boundaries between peeping and revealing within us by expressing the body hidden by the silhouette. The piece is mainly part of a reenactment to express aspects of various situations on a single screen by double-touch the screen, suggest unstable, black-and-white clashes through emotional depictions of one's inner pain or depression, while openly revealing obsessive and divisive sentiment. Because works formed through this formal method are related to symbolic elements, each piece gets a small meaning and a message. Some of the works were recreated based on experience and circumstances that hurt me. It redefined the perception of identity problems from individuals, and because of the self-healing universality as an inherent wound as a starting point for question consciousness. The labor force itself has been emphasized as a body that reproduces cultural achievements, and as another body. The mind is based on the body, and the body moves on the basis of the spirit. The body in the work is also a question of the duality of consciousness and the covering of dance.
Oil on Canvas
One-of-a-kind Artwork
20.9 W x 25.6 H x 0.7 D in
Not Framed
Not applicable
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South Korea
Why do you want to do that? You're sitting alone in this pool When green grass comes out and the residue is dreary in the spring breeze I'm sure you had a promise that you wouldn't go Every day, I come out to the stream and think about something Are you asking me not to forget that I don't go very far I got on the train to Chuncheon and sat facing the Bukhangang River, and I heard a song attached to Kim So-wol's poem Tears that have become common since some time ago, whether you have done something called love, have you fallen for someone and gone crazy, and I feel that it is the relationship with people that becomes more difficult as you live. Think about the relationship between nature and things, nature and people, nature and nature the relationship between people and nature or between people and the east and west Words in a relationship, Love, happiness, separation, hatred, etc Why do you feel empty in so many words? The traces of the passage of time and the passage of time sharply hit the solar plexus through the work, and the question of whether I have ever had such love that gives me all or selfishly overused love, the tears that flow by catching the tail of my eyes are defenseless. Why? Because I have what I want to say and what I want to express, and because I have certain desires... I want to empty and take it out, and I want to be light and cheerful, and I want to express it cheerfully with a two-step beat Unlike my heart, with desire I see myself full of it. In 2024, Transformatoin, or change. I want to develop further from the change in which a caterpillar becomes a butterfly and affect its surroundings. I want to express a work that symbolizes change just as a small seed falls to the ground and beautiful sunflowers, cosmos, and chrysanthemums bloom. I want to capture the feelings I saw and felt in the work and share deeper stories for a long time I want it to be that year. It is a double expression of the relationships that I want to have when I walk a lot, draw flowers on the canvas, and dry up while talking with flowers, grass, wind, and trees. The sun is setting, and the season is setting. The reason why the evening shade is beautiful, the loneliness is beautiful, is that there is still something to be said on the canvas
Artist featured by Saatchi Art in a collection
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