capital, consumption and frustration Painting

Hembadoom develops a research plastic-imagética with the human illustration, above all with the modified body, for internal and external factors to this, using several technical means and languages, isolated and joined amongst themselves, paintings, drawings, pictures, posters, postal arts, digital arts, digital engraving, music, videos and other experimentations. Where looks for the altered representation, for a repertoire personal imagético/symbólic, of this man in the contemporary context, in a reading of the daily universal in a subjective way, because he understands that the art is a form of objective expression of the subjectivity. In his subjective reading the observer finds a different reading, of that that intended the artist, pertinent only to him, while only individual, although with the same plastic elements, there, clearly put and exposed (I space, time, movement). The globalization, the human relationships, the machine, the computer, the clonage. The aspects political, social, economical and psychological originating from of those relationships, are subjects that certainly interest him. Wanting to expose there not only, his magic, his aesthetics, his life energy, but also their inquietudes, reflections, dramas and degradations, finally... His life, with what exists of more fabulous and viler possible. Sometimes removing, sometimes putting, everything in search of larger plasticity, expression and impact.