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jumblegloss Painting

William LaChance

United States

Painting, Enamel on Other

Size: 36 W x 48 H x 2 D in

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About The Artwork

This work is a formal abstract painting, in other words, an abstract painting that is concerned with things like space and light while maintaining the two dimensional identity of pure abstraction. The colors and shapes are informed by the vernacular language of graphic design and sign painting- I find this to be an interesting modality, the synthesis of fine and applied arts. The piece is comprised of segments of shaped panel that have been painted and collaged with painted paper and canvas, with seams left conspicuous for the purpose of unifying a very broad range of color, motif and mark-making. . . William LaChance was recently listed among Artnet's index of top 500 American Artists born 1966 or after and was recently invited to exhibit at Berlin's prestigious Direktorenhaus Museum

Details & Dimensions

Painting:Enamel on Other

Original:One-of-a-kind Artwork

Size:36 W x 48 H x 2 D in

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Listed among Artnet's index of TOP 500 ARTISTS FROM THE UNITED STATES, BORN 1966 OR AFTER, William LaChance is an American painter and professor of painting and art history born in St Louis, MO., received a BFA from The Kansas City Art Institute and an MFA from Indiana University and was artist in residence at The Chautauqua Institution, New York and The Oxbow School, Michigan. William LaChance's works are in the permanent collections of The US Federal Reserve, Lambert St Louis International Airport, The National Broadcasting Company (NBC) and Nike Inc. William LaChance has been published in JUXTAPOZ Magazine, Architectural Digest, VOGUE, HYPEBEAST, ARTFORUM, ARTDESK and Le MILE. LaChance's mural adorning the Kinloch, MO basketball courts was recently named the best designed art court in the world by Architectural Digest and VOGUE Magazine

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