116 Views
2
View In My Room
Painting, Acrylic on Wood
Size: 19.7 W x 24.4 H x 0.4 D in
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116 Views
2
A look through the mental iris of the most ancient eye, signs that flutter for a human presence to be understood. This series of works created in 2021, and referring to the archetypal myth, has the amazed and wonderful gaze of someone who, like one of the first men of our very ancient past, compares himself with the other himself, whether it is an animal seen and memorized. on the stone, whether it is death and life as sacred and yet to be understood, whether it is a movement of bodies on the wall of a cave, whether it is the encounter with another man about whom nothing is yet known, whether it is a shield to protect one's Being, may it be the red drop of blood that gushes out as Nature in which to immerse oneself for no longer avoidable necessity..I chose to use two wooden boards because elements linked to the dual and the archetype, to doubt and certainty,
Acrylic on Wood
One-of-a-kind Artwork
19.7 W x 24.4 H x 0.4 D in
Not Framed
Not applicable
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Italy.
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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I live in Salerno, Italy. My art has always been born from the search for the intimacy of the Human Person, in the variations of his psychological becoming caught in a particular expressionist nudity, mental or physical, up to the limit of abstraction, overt or hidden. I have participated in monographic and collective exhibitions in many cities, with a careful selection of events whose last main events were in 2010 the opening of the Magma Museum in Caserta, the presence at Magma Med in Palermo and then again in Genoa in 2013 at the International Fair. of Art with the Queen Art Studio of Padua, in 2014 at the Second Palermo Biennale, in 2016 and 2018 at the International Art Salerno, in 2017 in Berlin at the Malzfabrik with the Jelmoni Gallery, and in 2018 in Giffoni with the exhibition of decontemporary visual arts curated by Maurizio Barrés. He has exhibited in Rome, Berlin, Paris, Padua, Salerno, Lecce and Palermo. In the absolute authenticity, both of a truth given as archetypal and stable and of that which faces the idea of a different future and still unknown knowledge, the emotions on the canvas cross the spaces of being and of its becoming, not only temporal, in perspectives that are fragmented and recomposed, spreading from psychic intimacy to the more material echo. They open and indicate a path made up of words inevitably linked to each other, yet with the same inevitability they suggest that the unspoken is the non-absent void that claims a real and central role. The complicity of those who observe that message to be interpreted, beyond the appearance of the words given in the signs, is fully in the sensitivity and experience of each one, in the drama of the choices of the possible to be undermined.
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