snail 11 Painting

Critical text, The set of snails that floods the space, the boundary between the transfixed visible and the animation beyond the space-time curtain, locate the cognitive permutations that operate with the levo-dextrogira monad snail in the suave field of pictorial poetics. Cristian Ferkel plastically evokes through the conceptual operand SNAIL in fact the compact component of the cone geometry wrapped by the axiality of the little coronotip which represents the past, the larger represents the present and the wet visceral part seem to palpate the bottomless outline of the vector field before, outside the shell spirals. The mute language snail, the snail image, the green tongue snail, the snail snail, the journey into the slow universe, braked up to inertia, the snail non-snail becomes an atom of the generative algorithms by which the author invites us with an amazing accuracy to the spectral polychrome show which becomes unctuous, sensorial, having the fleeting allure that animates the duplicitous symbolism of the frozen flow. The snail, slowed being, centripetal centrifugal paradox, captured in the volute of the hypnotic vertigo, cavitary fragile shell, the sinuous outflow propped in the landscape of the chalk house, transcendental becoming of the mute whirlpool of the “glossolalie” that sweeps the curvilinear wall of spectral gelatin, at the somber border of M to K after the snails. Dr.Gabriel Kelemen Faculty of Fine Arts and Design West University