"Sneezed into hand" Painting

ARTIST STATEMENT
I explore the borderland between tangible physical reality and the elusive digital world. I am the founder of the digital expressionism movement in wood, a wooden digital artistic style born at the intersection of conceptual oxymoron, archaic matter, and virtual code. At the core of my practice lies the clash of material warmth and digital noise. As my main medium, I deliberately choose wood — a living, tectonic material with its own memory and history. I subordinate its natural texture to the cold logic of modern technologies, forcing wood to imitate glitches (matrix errors), pixel grids, system glitches, and gadget screens.
My creative method is to translate ephemeral digital folklore (simulacra and bugs) into a monumental physical object. By transferring the visual markers of the era onto wood, I create a new hybrid language of plastic interaction. Here, the natural pattern of annual rings collides with the artificial geometry of pixels, forcing the viewer to rethink the concepts of “real” and “virtual.” My interior installations are not just a deconstruction of form. They are a fixation of the trauma and aesthetics of the digital environment through organic material. My digital expressionism humanizes the technological error, transforming a fleeting system failure into an eternal artifact carved in wood.