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« tears in the wind » Painting

Elizabeth Roman

France

Painting, Acrylic on Canvas

Size: 24 W x 18.1 H x 1.2 D in

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$630

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ABOUT THE ARTWORK

It is current events that have caused this painting, which had been forgotten a bit, to resurface in my mind. When I had conceived it I had been inspired by observing in a church in Peru this old man obviously of a condition of great poverty who prayed with great fervor with tears that he struggled to hold back, I had been deeply touched by this scene because I too was there to pray and I felt overwhelmed imagining the great suffering that this old man could endure. And it is these last days that I gradually started to feel seized by the same emotion by seeing images of the war in Ukraine with all this suffering I thought back to this scene of the past in this distant church in Peru by telling me that the world as it was conceived and as it is run will never cease to produce suffering and pain in the four corners of the world.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

24 W x 18.1 H x 1.2 D in

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I evolve from several years in the urban art world,  with a special visual style I feel more and more challenged by a socially involved militant mind, I speak it through my artworks which often have a controversial  and provoking context of society with a recurrent social and political message.  My work and my artistic way are strongly influenced by street art, and by its artistic approach  often with a strong social, even political message. In my artistic pursuit, I feel strongly challenged by these street artists and by their militant and committed state of mind. I find great inspiration in their plastic production, which frequently has a strong socially critical content, often ironic and with messages that invite us to reflect and analyze our society. I am inspired by  the street world and the urban culture not included in the traditional world of art. I love the critical connotations of urban art as their social and political aspects submitted to any academic concept. Even if my style continues to evolve I voluntarily place myself far from the art theories and academic discourse. I feel completely comfortable in the universe of urban art because  its roots are  the ordinary world and everyday reality. With a  social message and engaged context I would like to engage people emotionally and awaken collective awareness about society and the world. 

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