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This piece is an investigation of the historical beginnings of symbolic/visual language. It dives into what it means to make semantic structures with images. It also makes the reader focus on meaning creation as there seems to be a message being commented by a graphic language. Where is the meaning? Is it either in the sentence presented or in the viewer's mind? When was visual language created and what did it look like in its early stages? 
The style of the work is rooted in traditional painting while bringing awareness to its sculptural qualities. The mode used to paint the work is concerned with the mediums physicality and makes heavy use of layers. The work in general is evocative of stone surfaces for its almost-topographic qualities.
This piece is an investigation of the historical beginnings of symbolic/visual language. It dives into what it means to make semantic structures with images. It also makes the reader focus on meaning creation as there seems to be a message being commented by a graphic language. Where is the meaning? Is it either in the sentence presented or in the viewer's mind? When was visual language created and what did it look like in its early stages? 
The style of the work is rooted in traditional painting while bringing awareness to its sculptural qualities. The mode used to paint the work is concerned with the mediums physicality and makes heavy use of layers. The work in general is evocative of stone surfaces for its almost-topographic qualities.
This piece is an investigation of the historical beginnings of symbolic/visual language. It dives into what it means to make semantic structures with images. It also makes the reader focus on meaning creation as there seems to be a message being commented by a graphic language. Where is the meaning? Is it either in the sentence presented or in the viewer's mind? When was visual language created and what did it look like in its early stages? 
The style of the work is rooted in traditional painting while bringing awareness to its sculptural qualities. The mode used to paint the work is concerned with the mediums physicality and makes heavy use of layers. The work in general is evocative of stone surfaces for its almost-topographic qualities.
This piece is an investigation of the historical beginnings of symbolic/visual language. It dives into what it means to make semantic structures with images. It also makes the reader focus on meaning creation as there seems to be a message being commented by a graphic language. Where is the meaning? Is it either in the sentence presented or in the viewer's mind? When was visual language created and what did it look like in its early stages? 
The style of the work is rooted in traditional painting while bringing awareness to its sculptural qualities. The mode used to paint the work is concerned with the mediums physicality and makes heavy use of layers. The work in general is evocative of stone surfaces for its almost-topographic qualities.
This piece is an investigation of the historical beginnings of symbolic/visual language. It dives into what it means to make semantic structures with images. It also makes the reader focus on meaning creation as there seems to be a message being commented by a graphic language. Where is the meaning? Is it either in the sentence presented or in the viewer's mind? When was visual language created and what did it look like in its early stages? 
The style of the work is rooted in traditional painting while bringing awareness to its sculptural qualities. The mode used to paint the work is concerned with the mediums physicality and makes heavy use of layers. The work in general is evocative of stone surfaces for its almost-topographic qualities.

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View In My Room

"(virus, person)" Painting

Victor Torres

United States

Painting, Acrylic on Canvas

Size: 24 W x 24 H x 2.5 D in

Ships in a Box

SOLD
Originally listed for $5,060

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This piece is an investigation of the historical beginnings of symbolic/visual language. It dives into what it means to make semantic structures with images. It also makes the reader focus on meaning creation as there seems to be a message being commented by a graphic language. Where is the meaning?...

Year Created:

2020

Subject:
Medium:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

24 W x 24 H x 2.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

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Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Victor F M Torres is an interdisciplinary and intermedia artist born in Rio de Janeiro, Brazil. He currently lives and works in New York, NY where he has been an LED specialist for advertising and retail installations. He’s currently an Associate Artist at Allied Productions Collective in Manhattan. Torres holds an M.F.A in Intermedia and Digital Arts from the University of Maryland, Baltimore County (UMBC) as well as a B.A. in Socio-Cultural Anthropology, from the same university. He has taught Design and New Media courses in multiple institutions such as Stevenson University, George Mason University, and UMBC. Torres is the founder of Vector Voltage Publishing, curator of LIGHTHOLE Gallery, and editor of the LIGHTHOLE Journal - both in hiatus. Torres’ research on the parameters of foreignness yields work of the most varied forms and plays a central role in his artistic practice. He’s the author of Language Writes Myth Writes Reality: Or How Does the Acculturated Body Take the Role of Culture Maker? Victor Torres is currently working on a book with the working title of ON: an Ethnography of A Non-Existing Civilization.

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