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"Abandoned Coal Mine in Anina" Photograph - Limited Edition of 10

Viktorija Jovanovic, Serbia

Photography, Black & White on Paper

20 W x 30 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Analog photograph of an abandoned coal mine in Anina, Romania, taken using a Pentax K1000 camera, during the winter of 2019. Anina was once a thriving coal mining town, but after operating for over 2 centuries the mine was abandoned in 2006, and so was most of the town. This town is also famously ho...

Year Created:

2019

Subject:
Mediums:

Photography, Black & White on Paper

Rarity:

Limited Edition of 10

Size:

20 W x 30 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Serbia.

Customs:

Shipments from Serbia may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Viktorija Jovanovic

About the Artist

Viktorija Jovanovic

Serbia

Photographer born and raised in Perth, Australia, lived in Bucharest, Cairo and Istanbul as a teenager, and currently based in Belgrade, Serbia since 2011.

With an approach that falls somewhere between documentary and art photography, I use the camera as a tool to create lasting visual mementos. My work strives to capture the energy and atmosphere of this particular moment in history that we’re living through and experiencing. My aim in doing so is to be able to share both the stories of those around me and my own story in a way that captures the essence of the subject. Other times, I aim to create a visual representation of a feeling, essentially eternalizing the experience in a way that can also be conveyed to others.

I take photographs using both digital and analog equipment, but I have a particular affinity for analog cameras and experimenting with different film formats and the developing process.

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