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Along Main Street Photograph

Catherine Scott

United States

Photography, Color on Paper

Size: 9 W x 12 H x 0.1 D in

This artwork is not for sale.
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23 Views
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About The Artwork

Butte, Montana is my favorite place. I go there often to paint and photograph. It has the second largest historic district on the National Register of Historic Places in the United States. It is a treasure trove of late 19th century and early 20th century commercial architecture, much of it in decay and disrepair. Butte was a huge mining town in 1900; at one point the largest city between Chicago and Seattle. It is a poor city now, but it is a real, and authentic place that has not been changed by tourism.

Details & Dimensions

Photography:Color on Paper

Original:One-of-a-kind Artwork

Size:9 W x 12 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

You can also find my work on https://www.flickr.com/photos/patinagal/ Following a long, rewarding career as an architect, and later 8 exciting years as a museum exhibit designer and builder, I now spend my time painting full time in my studio. I have always believed that the secret to keeping one's work fresh lies in experimentation and trying new things. Long an admirer of loose watercolor work I took a workshop with well known watercolor artist Andy Evansen. In watercolor I start and finish a painting in one sitting. Watercolor is fluid and transparent, and rather unforgiving. For me spontaneity and looseness is key. The whole trick is to work wet and allow the fluid paint colors to mix and merge, allow for soft edges, and maintain enough control to successfully complete a painting. I also roam the high plains of the western United States with my camera and photograph the old, weather beaten surfaces and patinas of buildings and vehicles. These rich surfaces and compositions provide inspirations for my layered oil and acrylic paintings. “Pentimento” is a term often used to define the revealing of painting or part of a painting that has been covered over by later painting. I have always been attracted to the history implied by this term. My painting method echoes this concept, involving constant experimentation as I make marks and cover them, leaving earlier marks revealed below later layers. As I add layers and work towards completion, the paintings eventually develop their own history.

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