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VIEW IN MY ROOM
VIEW IN MY ROOM
Photography, Black & White on Paper
Size: 16.5 W x 23.2 H x 0.1 D in
Ships in a Tube
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ANGEL FOUR (2005) The idea was to show the figure floating serenely in an alien world of weightless calm. She is in a place where sight and hearing are lost; where the senses slow and the body does not breathe. Each edition is signed and numbered by the artist Printed on Hahnemühle Photorag Paper Edition of 45 with paper size 594 x 420mm (17" x 24") Printed image size is 400 x 300mm Also available in 2 larger editions as follows: *Edition of 10 plus 2 artists proofs with paper size 1120 x 900mm (approx 44" x 33”) *Edition of 5 plus 2 artists proofs with paper size 2130 x 1520mm (approx 84" x 60")
Photography Print:Black & White on Paper
Artist Produced Limited Edition of:45
Size:16.5 W x 23.2 H x 0.1 D in
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
Zena Holloway (born 1973 in Bahrain) is an underwater photographic artist living in London. Her work deviates from the stereotypical imagery associated with underwater photography. For Holloway the underwater landscape serves as a backdrop, using cinematic drama and painterly aesthetics, she directs her models along themes of universal human experiences: love, loss, intimacy and romance. Her recent work Flowers for Jeju : The Last Mermaids focuses on the historical and spiritual tradition of the Haenyeo of South Korea. The diving women hang weightless, deep in the ocean, on the threshold of becoming lost in the black water or rising to the surface to return to the real world. Through the mediums of photography, dance, costume, and narrative, this work explores the unique ancestral relationship between the haenyeo and oceans during a period of rapid ecological, industrial and technological change. Alongside her dedication to long-term personal projects, she is a regular contributor to editorial, for publications such as The Sunday Times Magazine, Paris Match and the FT. Her work is exhibited globally and she has been the recipient of many international photographic and film awards such as AOP, APPLIED ARTS, COMM ARTS, RPS, PDN, CANNES and IPA. Zena first gained recognition as a fine art photographer in 2005 with “swansong”. Since then her unique style of photography has led to many solo and group exhibitions worldwide.
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