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Photography, Black & White on Paper
Size: 18 W x 12 H x 1 D in
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"Apples: Slope" Silhouette of female nude with apple in foreground. Limited Edition, Absolute Series of 5. Listed is a 13x19 archival pigment print matted to 18x24 with archival conservation materials in a gallery frame. Print is signed and numbered. Certificate of Authorization available upon request. Inquire for custom orders regarding size, print medium, and pricing. The Apples Series consists of Still Life–meets–Fine Art Nude juxtaposition, featuring the forbidden fruit (with all its societal overtones) and the allure of the female form for which it often serves as metaphor. With the apple representing temptation and the duplicity of both female susceptibility and female seduction in various mythologies, this offers fertile ground for a dialogue about sexual imagery of women that I’ve attempted to make playful and thoughtful. The paradox of sexual power and objectification runs throughout this work. Each shot has a different statement. Some lean more toward beauty. Some arousal. Some confrontation. The apple has been a potent symbol in Western Art as long as the latter has existed. This is well-travelled ground, and any extensive survey of art will encounter this metaphor. Much of my formal art studies were focused on the relationships between Renaissance art and the development of Western Music. I went back to those studies while considering this series, though I was not stylistically recreating that period. Certainly, Raphael’s The Three Graces was an inspiration, as was, to a lesser extent, Titian’s Worship of Venus. To include something fresh, I chose to add digitally inserted text and/or symbols to some of the pieces. Of course, this directly manipulates the experience for the viewer, and I’m interested to see what the reactions to that will be. Apples remains a work-in-progress. A preview of the series appears in SilverShotz International Magazine of Contemporary Photography, Artist Interview on Apples Series, Volume 9, Experience 6, April-May 2015. ISSN: 1836-3105 Apples, the Book, is coming in Summer 2017.
2015
Black & White on Paper
1
18 W x 12 H x 1 D in
Black
Yes
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SameSource is a photographic artist with over two decades of professional experience recording images. SameSource fine art photography spans both landscape and bodyscape, often exploring human sexuality and its relationship with art. With recent showings from the Musée du Louvre, Paris, France, to Art Basel, Miami Beach, SameSource is becoming an established international presence. Coagula Gallery in Los Angeles has included SameSource in its Ten Top Artists exhibition for 2016 in a show curated by Tulsa Kinney of Artillery Magazine. In 2016 SameSource work has been featured in The Huffington Post and American Photo magazine in connection with the Round Hole, Square Peg, exhibition at Artists Corner Gallery in Los Angeles. SameSource work has twice been selected (2013, 2016) among the 12 best photos of the year in the prestigious 12” of Sin International Art Exhibition with an extended runs at Sin City Gallery in Las Vegas. SameSource has origins in the rural Midwest. After studying music and philosophy in a liberal arts education, the artist went to Italy and became immersed in the works of the Renaissance. A return to the US brought the pursuit of graduate work in music and cinema, with an eventual arrival on the west coast via the USC film school. In addition to the full-time pursuit of photographic fine art, SameSource output has included notable works as a recording artist, writer, and filmmaker. Learn more at and follow SameSource on Facebook and Instagram, SameSourcePhoto on Twitter.
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