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Grégoire Korganow
France
Photography, Color on Paper
Size: 29.5 W x 19.7 H x 0.1 D in
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For 5 years starting in 2003, twice a year for the Marie Claire magazine I photographed the backstage of the haute couture shows. I tame these - to me - totally foreign places. I discover the world of fashion and the irrational rules of backstage. I earn my place behind the curtains several hours before the start of the show; keeping my place there is a challenge: being accepted behind the scene is never a given and often requires kafkaesque negotiations. The show starts, all the photographers are concentrated in the same place. I am in a trance. I can’t stop photographing, almost compulsively. Everyone runs, yells. People are shoving. When it all stops, I’m soaked, exhausted, I’ve taken over 350 pictures. The setting is the same each year, only the clothes change. So I experiment with new approaches, I imagine new pictures. I use a flash, black and white, colour, movement, close-ups, with always the imperative of showing the clothes. I don’t photograph slices of life, I avoid anecdote. I speak little and don’t connect. For me the models are unreal.
2008
Color on Paper
100
29.5 W x 19.7 H x 0.1 D in
Not Framed
No
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
France.
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Grégoire Korganow is a French artist, photographer, and a film maker. Having worked as a documentary photographer, Grégoire Korganow, who was a photojournalist with many renowned national and international newspapers, decided in 2012 to dedicate himself to projects of personal interest. His images have been shown widely in many prestigious venues in France and around the world. His approach to the body, a sensitive zone where he reveals contrasting movements (tension and release, restriction and freedom, power and fragility, and presence and absence …), brought him to also explore aspects of performance and to begin incorporating film into the production of his pieces. He has also created a body of work involving live performance, notably in installations at Montpellier Danse (Sortie de scène [Stage exit], 2014), Chaillot-TNC (L’instant d’avant [The instant before], 2020).
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