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Beechwood - Limited Edition of 10 Photograph

Julian Alexander Terris

New Zealand

Photography, Color on Canvas

Size: 76 W x 76 H x 1.5 D in

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About The Artwork

I just think it's beautiful without any explanation, file under "a thing of beauty is a joy forever" I like the way that even though it's "dead" the tree is still beautiful and incorporates such a rich palette of colors and textures. As I keep saying -I love to find beauty in places that other people would not look -that's such a large part of the joy of art for me, sharing things that others don't sea. (I can't stop, ~it's just too much fun). Perhaps it is my overly active imagination but I think that I see many faces in the Beachwood. Again pareidolia. Do we see the faces because we want to see them or are they actually there and we simply discover them? Owing to the holographic nature of the universe perhaps we do, perhaps the spirits risen to eternity leave their fingerprints in the world, their faces in the flowers, their limbs in the trees. Scientists have discovered the house plants remember people, and that we leave our impression in water: "The concept of the memory of water goes back to 1988 when the late Professor Jacques Benveniste published, in the international scientific journal Nature, claims that extremely high 'ultramolecular' dilutions of an antibody had effects in the human basophil degranulation test, a laboratory model of the immune response. In other words, the water diluent 'remembered' the antibody long after it was gone. His findings were subsequently denounced as 'pseudoscience and yet, despite the negative impact this had at the time, the idea has not gone away." If plants and water retain memories, perhaps it is not too outrageous to suggest that fallen trees may be imbued with the spirits of the once-living. Or perhaps this is simply a beautiful piece of driftwood. "To see a world in a grain of sand and a heaven in a wildflower, hold infinity in the palm of your hand, and eternity in an hour." ~William Blake. Color Palette: #9fa6a8 #29333d #dfdfce #563733 #715841 #526b7e #aac1d8 #c6d7da #736368 #89806a (You can choose to have your image reproduced in Aluminum, Canvas, Paper, or Photo-paper). Chromoluxe Reproductions: (Limited edition of 10 only for any of my images). Chromoluxe means two things: Durability and Definition. This exclusive edition of 10 images will be created using the new Chromoluxe aluminum printing technique for high-quality large format art. The colors leap from the surface to produce vibrant melodious images. Your investment will retain its birth-date energy and integrity. You will appreciate this stunningly vital picture that is so spirited it will appear to levitate off any wall. The Chromoluxe sublimation technique means that the image is embossed into the slimline metal sheet that has a hanging frame on the back so that it sits out from the wall -by a couple of inches. This means that your rare edition print will seem to “float” just in from of the wall. You won’t need to make a separate payment for framing or worry about breakable glass and expensive heavy frames to carry (if you move to a new house). This print will be scratch-resistant, durable, and will retain the image’s vibrancy ~for a lifetime. This is 21st-century printing, high definition and literally, state-of-the-art. Very few places in the world can produce an image of this size, in this format. Not only will you have a collectible work of art, but it will be rendered in the cutting-edge format. Durable, appreciable, and gallery-quality. Side on, the print appears as a slip sheet of aluminum, from the front, the colors are glossy and intensely vivid. The panel has smoothed corners and looks sleek and elegant. (You can opt for a matte finish if you prefer). Your beautiful art will be carefully packaged in a custom-made box with plenty of protection for shipping. Shipping is tracked and signed for as standard. Takes approximately three weeks to get ready to ship. *(The estimated weight is based on Canvas Gallery Wrap 1.5" deep with 1 Layer of Resin). Shipping costs will vary with the material's weight, I will provide you with an accurate quote prior to your order.

Details & Dimensions

Photography:Color on Canvas

Original:One-of-a-kind Artwork

Size:76 W x 76 H x 1.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I started drawing as a child, but quickly became enamored with photography, I got my first camera at about 10 (a Box "Brownie") and started making images with that and quickly progressed to a Yoshika SLR (and electro 35). I took art as a subject from the ago of 12 to the age of 18, and also Technical Drawing for a couple of years. Soon after I discovered music and so photography took a back-seat for many years. From music I discovered computers, and when I realized the exciting potential that they offer in terms of images my inspirations took on a new lease of life. I studied Computers at University level in 1997, and loved it so much that I decided to pursue it further, and attended the National College of Design and Technology in Christchurch, NZ. It was there that I started to experiment with images in Ernest. The subject that I covered were 3D Modelling, 3D Animation, Audio Visual, The Web and CD ROM production. I experimented with Strata creating 3D models, and animations and designed The "Nova" car and the "Millennium" housing design, also a chair, the P.O.D. (Positional Orientating Digitator). This was before Steve Jobs released the iPOD. These were industrial designs, But I do have one still image from that period which I am including in my entry. That year my partner had a son, and he had health complications, and so I had to put aside art and concentrate on finding work. From there my life had been about music and computers, until my band broke up around 2007, and I suddenly found myself with lots of free time and a copy of Photoshop and a copy of Paintshop Pro.

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