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Cold Keys - Limited Edition of 6 Photograph
United States
Photography, Digital on Aluminium
Size: 24 W x 16 H x 0.5 D in
Ships in a Box
Shipping included
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About The Artwork
Rebecca Skinner’s “Cold Keys” was photographed in an abandoned train repair yard. The 16 x 24 inch black and white metal print is of piano keys with bits of ice keeping it cool. The print has a satin finish and is infused directly into metal making it waterproof and easy to clean. This frameless metal print hangs easily with a float mount. The artist’s signature and edition number is located on the back. With breathtaking depth and amazing detail “Cold Keys” makes an excellent addition to your home or office. Edition of 6. Abandoned buildings serve as the focus of Rebecca Skinner’s most recent series of photographs. She seeks to immerse the viewer in the scene, intertwining them and the location in a single narrative of nostalgia and respect for the suspended moment. She portrays these facilities not only as preserved instances of a forgotten time, but as the summation of the place’s history and beauty.
Details & Dimensions
Photography:Digital on Aluminium
Artist Produced Limited Edition of:6
Size:24 W x 16 H x 0.5 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Rebecca Skinner photographs abandoned spaces throughout the United States. She is a modern-day urban explorer seeking unique neglected structures and desolate places. Her subject matter includes images of large open spaces and details such as peeling paint and rust. Texture, color and light play an important part in her image making and she is attracted to the beauty of these places as well as the forgotten history. Time is of the essence as some locations have since been demolished or restored, while others remain frozen in time. Danger is often present, whether it be from rotten floors, hazardous materials, or unexpected inhabitants. She never goes into these places alone and is strongly invested in leaving no trace. Working with tripod and natural light, Skinner does not stage her photographs — there is already a story to be told without making any adjustments.
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