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10

View In My Room

ColorLimited.ISO: Blue - Limited Edition 1 of 10 Photograph

Flynn Newton

Germany

Photography, Digital on Paper

Size: 23.6 W x 23.6 H x 0.1 D in

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$1,050

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704 Views

10

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ABOUT THE ARTWORK

One definition of minimalism tells us, that a work of art should not refer to anything other than itself. As minimalist painter Frank Stella once said: "What you see is what you see". Combining the monochrome minimalism of my ColorLimited's with the camera love expressed with the CameraSelfies® project ColorLimited.ISO shows colorful, iconic cameras on background of the same color... in a clear, minimalistic, geometrically strict isometric perspective. Only LIMITED EDITION: Numbered as well as signed (back and front) edition of only 10 limited (plus 2 artist copies), with certificate of authenticity. Fine Art Print on high quality baryt paper, long-lasting pigmented HDR ink.

DETAILS AND DIMENSIONS
Photography:

Digital on Paper

Artist Produced Limited Edition of:

10

Size:

23.6 W x 23.6 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

J. Flynn Newton is the alias for german photographer Jürgen F. Novotny who is best known for his CAMERASELFIES project. What happens when photo cameras would come up with the idea to take selfies? Historical, bizarre and beautiful cameras capture themselves... on background of contemporary wallpapers. Featured on CNN, LUI, LensCulture, ProfiFoto a.m.o () COLORLIMITED project: How do the various colors influence our mood, what is the impact of Red, Green, Violet? And what happens when seemingly everyday objects try to camouflage themselves and begin to merge with their backgrounds? With this series I combine colors, backgrounds and sometimes absurd items …resulting in painting like, shouting, contemplative, minimalistic and often grotesque still lives (). By adding colors - with my pop art series "COLORIMPOSSIBLE“ - I want to exaggerate the subjects and their messages, sometimes reducing them to absurdity, sometimes highlighting their presence. By showing these subjects „overdressed“ the such post processed photographies seem to unveil their real significance ().

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