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'Comfort Zone' - Image #15; Edition of 20
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VIEW IN MY ROOM

'Comfort Zone' - Image #15; Edition of 20 Photograph

TADAO CERN

Lithuania

Photography, Digital on Paper

Size: 10.6 W x 15.7 H x 0.4 D in

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181

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About The Artwork

Project "Comfort Zone" gained a lot of attention from media ad been published in the biggest newspapers around the world including The New York Times, View, Du Monde, The Guardian, Huffington Post, BILD, etc. The project has won numerous photography awards and been exhibited across the United States and Europe. Each image comes in a limited edition in 3 sizes. There are 24 images in the collection. About the project: I was looking for a place where I could observe human beings without any distractions and beach is almost the only place where it looks like people are voluntarily putting themselves under anesthesia on a laboratory table, where they can be explored like disassembled objects by the observers (us) above them. It’s a great chance to deep dive into our culture and natural habits that are perfectly revealed in detail in these photographs. Images are not staged. It’s a photo documentary that was done during the summer of 2013. None of the subjects in these images knew about being photographed before or after the photoshoot. More info and prints info@tadaocern.com Other projects www.tadaocern.com

Details & Dimensions

Photography:Digital on Paper

Artist Produced Limited Edition of:20

Size:10.6 W x 15.7 H x 0.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Visual perception together with a creative process is very much influenced by the things that have been learned while working as an architect. I was deeply interested in human behavior and habits – I worked around or with them. Now, as for the artist, the field of interest stayed the same – I question what affects our actions in a certain way and can these things be changed. I operate in a laboratory where creative thinking serves as a foundation for experiments that are trying to envision our behavioral boundaries. As an artist, I document, transform, recreate or get rid of them. It is a delight obligation to take mundane, banal objects or occurrences and strip them to their basic concepts which work as a refreshment, helping us to find things that have been forgotten or taken for granted. My creative style is very much affected by my architectural background as well: the process is systematic; all my artistic decisions are calculated and I’m always looking for the most hygienic expressions so ideas would become as clean as possible.

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