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Color version (different camera) as featured in Palm Springs Life Magazine.
Compass Magazine - Cover Story - Summer 2015
Selfie taken en route to photograph dead tree at Salton Sea.
Each print is titled, signed, dated and numbered on verso.
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Dead Tree, Nests & Thermal Plants - Infrared Exposure - Salton Sea, CA - Limited Edition 2 of 20 Photograph

Osceola Refetoff

United States

Photography, Black & White on Paper

Size: 22 W x 17 H x 0.1 D in

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Originally listed for $1,230
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355 Views
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About The Artwork

Infrared Exposure – First Printed: 2015 Shot on assignment for a glossy magazine, this dark, infrared exposure was too edgy to make the cut (a color version ran full-bleed, double-boxcar). The image is layered with contradictions, as it portrays the Salton Sea, California’s largest, yet l​east​-known lake. Formed by accident during the construction of irrigation canals for the Colorado River, the shallow lake with no outlet has become more saline than the ocean and contaminated by natural toxins and agricultural runoff. As it dries up, particulate pollution from the talc-fine dust threatens the health of millions in the Palm Spring area and Los Angeles Basin. Remarkably, the tainted environment supports an epic concentration of wildlife, forming an essential layover of migrating birds on the Pacific Flyway. Thus a drowned tree provides habitat for cormorants, and in the background,​ industrial forms spewing “smoke” on the horizon are in fact steaming thermal-plants, providing some of the cleanest energy available. Here’s a link to “High & Dry’s” take on the Salton Sea, and the ecological challenges that lie ahead: desertdispatches.com/blog/2015/4/the-salton-sea-a-distillation This image has been exhibited/featured in the following venues: The Art Classic: Oasis - Millard Sheets Art Center - Pomona, CA - 2016 Art Makes Change - Earth WE Gallery - Santa Monica, CA - 2015-16 VisionLA 2015 Climate Action Arts Festival - Santa Monica, CA - 2015 Haunted Landscapes - Art Share LA - 2015 Compass Magazine - Summer 2015 Waterworks 2 - The Art Gallery at GCC - Glendale, CA - 2015 Waterworks 2 - Porch Gallery - Ojai, CA - 2015 Each print is titled, signed, dated and numbered on verso. There is an approximately 2" white border around the image area. Prints are manufactured in-house at Chungking Studio in Los Angeles Chinatown. Papers include Hahnemuhle Fine Art Museum Etching, Museo Silver Rag, and Moab Entrada Rag Natural, and are selected based on exhaustive tests to determine which material best suits the interpretation of each individual image. These museum-quality, 290-350 GSM-weight papers are exceptionally robust and render outstanding detail. After a successful print is inspected and approved, a protective seal is applied using a three-step process that increases moisture, dirt, fingerprint, and UV resistance; extending the already significant color-fastness of modern archival inks approximately 3x the length of untreated prints. Note: Image area is approximately 12x18" on 17x22" paper.

Details & Dimensions

Photography:Black & White on Paper

Artist Produced Limited Edition of:1

Size:22 W x 17 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Osceola Refetoff’s interest is in documenting humanity’s impact on the world – both the intersection of nature and industry, and the narratives of the people living at those crossroads. His images exist within traditional means – landscape, portraiture, travel, editorial – and are variously produced using film, digital, infrared, and pinhole exposures. Thus, despite his documentarian impulses and the fact that his images deliberately depict ordinary, even mundane, subjects; he trains on them a nuanced vision, often yielding surreal, even dreamlike images. His process generally happens “in camera,” at the moment of capture, in a kind of alchemical reaction that transforms the external world into something both realistic and magical. Refetoff’s early influences were the great mise-en-scène directors Lang, Welles, Kubrick, and Melville. Today, his motion picture background informs his approach to constructing visual narratives. Framing meticulous compositions in depth, he uses the many cameras he carries to render not only how a place looks, but how it feels to be there. As he shifts between stylistic modes to build layered, multidimensional histories, what links all aspects of his eclectic practice is a commitment to capturing “what the picture requires.” Refetoff holds a B.A. in Film & Mass Communications from Duke University (1985) and an M.F.A. from New York University's Graduate Film Program (1991). His photography has been featured in Artillery, Palm Springs Life, Arid, Boom, Hemispheres, and WhiteHot magazines, among others. His work is widely exhibited including at the San Diego Art Institute, the Palm Springs Art Museum, The Main Museum, Photo LA, Porch Gallery, and numerous solo exhibitions covered in The LA Times, Huffington Post, CBS, LA Weekly, and other publications. "High & Dry," a long-term collaboration with writer/historian Christopher Langley, is syndicated on KCET's Emmy-winning program Artbound, receiving the Outdoor Writers Association of California’s 2016 award for Best Outdoor Media.

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