VIEW IN MY ROOM
United States
Photography, Black & White on Other
Size: 36 W x 24 H x 0.1 D in
THE CUSTOM of marking the site of a death on the highway has deep roots in the Hispanic culture of the Southwest, where these memorials are often referred to as Descansos ("resting places"). Traditionally, Descansos were memorials erected at the places where the funeral procession paused to rest on the journey between the church and the cemetery. The association thus created between the road, the interrupted journey, and death as a destination, eventually found expression in the practice of similarly marking the location of fatal accidents on the highway. Unmarked memorials; near Carson City, Colorado"THE FIRST DESCANSOS were resting places where those who carried the coffin from the church to the camposanto paused to rest. In the old villages of New Mexico, high in the Sangre de Cristo Mountains or along the river valleys, the coffin was shouldered by four or six men. "Led by the priest or preacher and followed by mourning women dressed in black, the procession made its way from the church to the cemetery. The rough hewn pine of the coffin cut into the shoulders of the men. If the camposanto was far from the church, the men grew tired and they paused to rest, lowering the coffin and placing it on the ground. The place where they rested was the descanso. "The priest prayed; the wailing of the women filled the air; there was time to contemplate death. Perhaps someone would break a sprig of juniper and bury it in the ground to mark the spot, or place wild flowers in the ground. Perhaps someone would take two small branches of pinon and tie them together with a leather thong, then plant the cross in the ground. "Rested , the men would shoulder the coffin again, lift the heavy load, and the procession would continue. With time, the descansos from the church to the cemetery would become resting spots.
Photography:Black & White on Other
Original:One-of-a-kind Artwork
Size:36 W x 24 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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United States
In his book "˜The portrait of an artist as a young man' James Joyce writes "__And to distinguish between the beautiful and the sublime, to distinguish between moral beauty and material beauty. And to inquire what kind of beauty is proper to each of the various arts. These are some interesting points we might take up." I've always believed the beauty proper to photography is not sublime creation, as in all the other arts, but rather a benevolent gift. When the fortune of a beautiful scene is recorded into my camera, in that inconsequential instant, relative to all of time, I am creating nothing. I am given something... like the best Christmas present ever or the love of a best friend. In that respect, photography is more a moral beauty art, as opposed to a material beauty art. The first time I became aware of this was in a small art studio in Paris France, where I discovered a black and white photograph of a young woman. What interested me most was the ambiguity of the subject's expression. She appeared pleasant and pleased. But there was a tear about to fall from her right eye. The image gave me goose bumps and soon after I bought my first camera. 40 years later, I was given the "˜gifts of light' I am displaying on Saachi.
markgoebel.photoshelter.com/ The Stock Photo Agency I own: www.painetworks.com The Videos I produced: www.youtube.com/user/PainetInc
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