VIEW IN MY ROOM
Desert Vista - Cinco, CA - Limited Edition 7 of 20 Photograph
United States
Photography, Color on Paper
Size: 35 W x 24 H x 0.1 D in
Ships in a Tube
Artist Recognition
Artist featured in a collection
About The Artwork
Normally such a flat, empty horizon would be difficult to find in the Mojave Desert. This view is from an discarded trailer home on an abandoned farm where the earth had been stripped clear for alfalfa production. Things grow slowly in arid climes, so the landscape had yet to be reclaimed by creosote bushes and other drought-resistant flora. Much of my focus is on the remnants and future of human activity across the deserts of the American West. Images of these parched lands are part of America’s cultural DNA — icons of great hope and ambition. Against these grand ideals exists a patchwork of struggling communities, dreamers, dropouts, and military-industrial compounds scattered across vast open spaces. These photographs explore how the “window” functions as not only a literal/architectural, but also as an optical/aesthetic and narrative/symbolic structure in framing the story of our desert landscapes. You can explore more about the series and this particular image here: Boom, A Journal of California: "Framing the Desert" - tinyurl.com/pu7tfy6 This image has been exhibited/featured in the following venues: Uniting the World Though Art - LA Art Show/Arts District Alliance - 2015 High & Dry: dispatches from the land of little rain - Solo Exhibition - Los Angeles Art Association/Gallery 825 - 2014 The Life of Things - SCA Project Gallery - Pomona, CA - 2014 The Lucie Foundation - Art Platform Los Angeles - 2011 A Place in the Sun: Picturing California - curated by Audrey Landreth - Hi-Lite Studio/MOPLA - Los Angeles, CA- 2011 Each print is titled, signed, dated and numbered on verso. There is an approximately 3" white boarder around the image area. Prints are manufactured in-house at Chungking Studio in Los Angeles Chinatown. The Window Series is printed on Hahnemuhle Fine Art Museum Etching paper, a museum-quality, 350 GSM-weight paper which is exceptionally robust and renders outstanding detail. After a successful print is inspected and approved, a protective seal is applied using a three-step process that increases moisture, dirt, fingerprint, and UV resistance; extending the already significant color-fastness of modern archival inks approximately 3x the length of untreated prints. Note: Image area is approximately 18x27" on 24x35" paper. Each print is accompanied by a signed Certificate of Authenticity. Pricing reflects that this edition is now into the 2nd third of available prints.
Details & Dimensions
Photography:Color on Paper
Artist Produced Limited Edition of:1
Size:35 W x 24 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Osceola Refetoff’s interest is in documenting humanity’s impact on the world – both the intersection of nature and industry, and the narratives of the people living at those crossroads. His images exist within traditional means – landscape, portraiture, travel, editorial – and are variously produced using film, digital, infrared, and pinhole exposures. Thus, despite his documentarian impulses and the fact that his images deliberately depict ordinary, even mundane, subjects; he trains on them a nuanced vision, often yielding surreal, even dreamlike images. His process generally happens “in camera,” at the moment of capture, in a kind of alchemical reaction that transforms the external world into something both realistic and magical. Refetoff’s early influences were the great mise-en-scène directors Lang, Welles, Kubrick, and Melville. Today, his motion picture background informs his approach to constructing visual narratives. Framing meticulous compositions in depth, he uses the many cameras he carries to render not only how a place looks, but how it feels to be there. As he shifts between stylistic modes to build layered, multidimensional histories, what links all aspects of his eclectic practice is a commitment to capturing “what the picture requires.” Refetoff holds a B.A. in Film & Mass Communications from Duke University (1985) and an M.F.A. from New York University's Graduate Film Program (1991). His photography has been featured in Artillery, Palm Springs Life, Arid, Boom, Hemispheres, and WhiteHot magazines, among others. His work is widely exhibited including at the San Diego Art Institute, the Palm Springs Art Museum, The Main Museum, Photo LA, Porch Gallery, and numerous solo exhibitions covered in The LA Times, Huffington Post, CBS, LA Weekly, and other publications. "High & Dry," a long-term collaboration with writer/historian Christopher Langley, is syndicated on KCET's Emmy-winning program Artbound, receiving the Outdoor Writers Association of California’s 2016 award for Best Outdoor Media.
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