94 Views
4
View In My Room
Daniel Freed
Photography, Color on Paper
Size: 30 W x 20 H x 0.1 D in
Ships in a Tube
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Trustpilot Score
94 Views
4
Artist featured in a collection
"Figuration A/Z," from the sequence, "Naked City": “There are eight million stories in the naked city. This has been one of them.” Thus the narrator frames Jules Dassin’s landmark 1948 film noir, _Naked City_. Stories still abound in New York City, as the subway’s inner light illuminates passengers' respective interiors. Traces of the city adorn this subway train's sheet metal, and function as a splattered, found sculpture. Here, the Manhattan 'A' train northward, to Inwood, shrouds an advertisement for 'Z' inside. Indeed, an entire community dynamic plays out within the glowing yellow capsule. Edition of 7 + 1 A/P and 1 P/P. Printed exclusively for the artist by Brooklyn Editions' Master Printmaker, New York City. Hahnemühle Silk Baryta 310 gsm, with Hahnemühle Certificate of Authenticity. Archival pigment inks printed with Epson P20000.
2019
Color on Paper
7
30 W x 20 H x 0.1 D in
Not Framed
Not applicable
Ships Rolled in a Tube
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PRÉCIS + PROCESS + PAST-PRESENT: PRÉCIS: Light continuously shifts and suffuses. Never quite known, light occasions fresh perspectives for the attentive eye. Photography for me inhabits a space somewhere between poetry and motion picture film, my primary areas of advanced training. INSPIRATION: As many of my recent photos were taken in New York, I sometimes reflect upon the wisdom of gifted New York photographer, Saul Leiter. Leiter suggests, "there are things that are out in the open, and there are things that are hidden, and life has more to do, the real world has to do, with the things that are hidden. You think?" I offer my recent work in a spirit of discovery, a search for "the things that are hidden." PRINTMAKING PROCESS: Signature editions printed exclusively for the artist by Brooklyn Editions' Master Printmaker, New York City. PAST-PRESENT: I grew up as an artist, and gradually branched into other media. Crossing boundaries and investigating form naturally extend my creative and writerly output. Earlier, I worked on aesthetics with late philosopher Jean-François Lyotard. Temporal and phase transitions -- chemical, Kantian, disjunctive -- and a delight in the process of naming inform and inflect my work. ARTIST SITE: "Occasional Light":
Artist featured by Saatchi Art in a collection
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