VIEW IN MY ROOM
United States
Photography, Color on Paper
Size: 36 W x 24 H x 0.1 D in
Ships in a Tube
The World's fastest shark, the mako, fell to endangered status in 2019. Due to their advanced age of reproduction (19-21 years), it is expected that populations will continue to decline until 2035, even with full protection. This mako is presumed pregnant and photographed in Cabo San Lucas, Mexico, which is a suspected reproduction area and one of the few remaining locations worldwide with significant populations. While makos are known as a top apex predator, they are a delight to photograph and are highly inquisitive around the camera. 15% of print profits from this image directly support mako conservation within the Sea of Cortez. Artwork is crafted by a master printmaker on Hahnemuehle Fine Art paper for museum grade archival quality. Prints are signed and accompanied by a certificate of authenticity. Available in editions of: 12"x 18": 9 + 1 AP 24"x 36": 5 + 1 AP 40" x 60": 2 + 1 AP Samantha Schwann is an international award-winning and exhibiting underwater photographer whose work concentrates on ecologically unique areas of the ocean. www.samanthaschwann.com
Photography:Color on Paper
Artist Produced Limited Edition of:5
Size:36 W x 24 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Samantha Schwann is an international award-winning photographic artist whose work concentrates on ecologically unique areas of the ocean, in a thoughtful approach to an increasingly important global conversation. Schwann’s images shed the constraints of the underwater environment, inviting the viewer to share in the curiosity of the ocean and the range of events and subjects which present themselves. Interested in images with a minimal aesthetic, her work frequently incorporates elements of transience and impermanence.
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