1430 Views
28
View In My Room
Heino Heimann
Switzerland
Photography, Photogram on Aluminium
Size: 47.2 W x 47.2 H x 1.6 D in
Ships in a Crate
1430 Views
28
The picture is exposed in a walk in Camera-Obscura direct to color photo paper. There is no negative or file. The light is going through the leaves. The light on the flowers is directly detained in the emulsion of the photographic paper. This moment is always present, while looking at the image. It brings you into the present, now. In the moment the picture is in an exhibition in the Photobastei 2.0 in Zürich. The picture is shadow gap mounted to dibond and framed under anti-glare museum glass. Eckhart Tolle about Flowers: Earth, 114 million years ago, one morning just after sunrise: The first flower ever to appear on the planet opens up to receive the rays of the sun. Prior to this momentous event that heralds an evolutionary transformation in the life of plants, the planet had already been covered in vegetation for millions of years. The first flower probably did not survive for long, and flowers must have remained rare and isolated phenomena, since conditions were most likely not yet favourable for a widespread flowering to occur. One day, however, a critical threshold was reached, and suddenly there would have been an explosion of colour and scent all over the planet – if a perceiving consciousness had been there to witness it. An awakening power Much later, those delicate and fragrant beings we call flowers would come to play an essential part in the evolution of consciousness of another species. Humans would increasingly be drawn to and fascinated by them. As the consciousness of human beings developed, flowers were most likely the first thing they came to value which had no utilitarian purpose for them, that is to say, was not linked in some way to survival. They provided inspiration to countless artists, poets, and mystics. Jesus tells us to contemplate the flowers and learn from them how to live. The Buddha is said to have given a ‘silent sermon’ once during which he held up a flower and gazed at it. After a while, one of those present, a monk called Mahakasyapa, began to smile. He is said to have been the only one who had understood the sermon. According to legend, that smile (that is to say, realization) was handed down by twenty-eight successive masters and much later became the origin of Zen. Seeing beauty in a flower could awaken humans, however briefly, to the beauty that is an essential part of their own innermost being, their true nature. The first recognition of beauty was one of the most significant events in the evolution of human consciousness. The feelings of joy and love are intrinsically connected to that recognition. Without fully realizing it, flowers would become for us an expression in form of that which is most high, most sacred, and ultimately formless within ourselves. Flowers, more fleeting, more ethereal, and more delicate than the plants out of which they emerged, would become like messengers from another realm, like a bridge between the world of physical forms and the formless. They not only had a scent that was delicate and pleasing to humans, but also brought a fragrance from the realm of spirit. Using the word ‘enlightenment’ in a wider sense than the conventionally accepted one, we could look upon flowers as the enlightenment of plants.
Photogram on Aluminium
1
47.2 W x 47.2 H x 1.6 D in
Black
Not applicable
Ships in a Crate
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Germany.
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Switzerland
The Chrome-Camera is a joint project between ILFORD Imaging and German photography artist Heino Heimann. The finished camera will measure 6m in length, 2.5m in height and 2.5m in width and features a lens specially sourced by Heimann from Italy. The Chrome-Camera will be used to create prints measuring up to 50 x 80 inches on ILFOCHROME media, developed on site by ILFORD. Thanks to the size and quality of the materials used, the unique print result promises to have the optical powers of the human eye in terms of image sharpness and resolution. Heino Heimann is currently in the process of building the Chrome-Camera at the ILFORD site in Marly Switzerland, which will be completed at the end of July 2012. The Chrome-Camera will subsequently be rented by international photo artists, who will have the opportunity to explore the creative potential of the camera and create prints on unique ILFOCHROME media. College and university groups from Switzerland and beyond are also invited to visit the ILFORD site to experiment with the Chrome-Camera and learn about direct exposure on ILFOCHROME. “My two great passions in photography are to use my art to push boundaries and to educate the younger generations. Therefore the Chrome-Camera project is a fantastic opportunity for me.” Says photography artist Heino Heimann. “It is a privilege to be working with an internationally-renowned media such as ILFOCHROME and I am excited to be able to offer other artists the opportunity to do so too.” “ILFORD has been enabling photographers to achieve their artistic vision for over 130 years and we are pleased to be working with Heino Heimann to offer them this new creative opportunity.” Says Lars Sommerhäuser, Chief Operating Officer at ILFORD. “Our ILFOCHROME media is a truly unique product and we anticipate the creation of some eye-opening work when it is used to develop images from the Chrome-Camera.” ILFOCHROME media produces images using a dye destruction positive-to-positive process. The material features 13 layers of azo dyes sealed in a dimensionally stable polyester base, which means that the print will not fade, discolour or deteriorate over an extended period of time. Tests conducted by Wilhelm Imaging Research have indicated that the ILFOCHROME resists fading under display conditions longer than any other known photographic colour material. Further characteristics of ILFOCHROME prints include excellent image clarity and colour purity.
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