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Grey rocks, and greyer sea - Limited Edition 1 of 6 Photograph

Jon Riordan

South Africa

Photography, Digital on Paper

Size: 23 W x 17 H x 0.1 D in

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About The Artwork

There was a time when most nights my unconcious was invaded by images of the sea. I choose the word ‘invaded’ quite purposefully as these were not pleasant dreams. Great swirls and eddies of white water and an ever encroaching rising tide marked these experiences as much as the feeling of constant threat and that strange shifting of realities that exemplify dreams. Living in the South African city of Cape Town I began to spend more and more time photographing the surrounding oceans from high mountain slopes desperate to make some visual sense of the nightly incursions. As I did this I came to realise that photography was not a medium entirely suited to a task of this sort. In many ways it is a very literal medium and struggles to capture such metaphorical relationships. It longs for the physical and for scale and context to allow us to access the reality of what is being photographed. When presented with the intangible it falters and relies on the viewer to connect the vague and indefinite dots it presents. Photograph after photograph I began to realise that, obviously, these seascapes began to represent my own troubled internalities, that wonderful term used by behavioural economists to describe a type of behavior that imposes costs on a person in the long-run, that are not taken into account when first making decisions. Living in a society such as South African these internalities are endless. We have pasts full of slave ships and prison islands lurking off our endless, pristine coastlines. As time has passed these pasts have not been resolved as well as they have become well hidden under museums and historical discourse. Yet, as well as becoming historic they have increasingly become internalised within our collective memories and as with any unresolved memory or experience they cause conflict disturbance even if only subconsciously. These internalities combine with the fears of the modern world, the threat of ecological collapse and the very real threat of rising sea water displacing and replacing much of what we know. We are caught in the middle of existential arguments about our future presence upon this planet that ramp up the consequences and concern as much as they refuse to provide any resolution.

Details & Dimensions

Photography:Digital on Paper

Artist Produced Limited Edition of:1

Size:23 W x 17 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have worked in and around photography since finishing a Bachelor of Journalism at Rhodes University back when film cameras were still used. In this time I have had writing and photography published nationally and internationally and I have been lucky enough to have exhibited my photography throughout South Africa as well as in Europe. I currently live in Cape Town where I am employed by the Iziko South African Museum as a photographer and digitisation officer. My role is to oversee what is the biggest digitisation project undertaken by any South African museum. This project is focused on digitising the museum's entire collection of specimens which includes hundreds of thousands birds, insects, fossils and stuffed mammals. I also lecture on a part time basis at the Orms Cape Town School of Photography. In the past three years I have been responsible for redeveloping and teaching courses on the Discourse of Photography, where I teach the students how to write and think academically about photography, and Documentary Photography, where I do my best to force my students to realise that there is a difference between photojournalism and documentary photography. I've long believed that a good photographer doesn't necessarily need to know all there is to know about cameras or even photography but what they do need to know is how to uncode life in a way that their audience finds coherent and interesting. In this context I'm most interested in the ways that history focuses our present. Sometimes I explore this through the landscape, sometimes through portraiture and words and sometimes even through the structures that we create.

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