VIEW IN MY ROOM
Israel
Photography, Digital on Paper
Size: 58.1 W x 39.5 H x 0.1 D in
Ships in a Crate
Shipping included
The print is coated manually with wax, an element that gives the photo a preservation layer, and texture. I photographed the “Heavy Rain” series at an abandoned archaeological excavation that flooded after days of Heavy rain. The fields surrounding the excavation site were turned into a huge expanse of water. A huge swamp where relics of ancient buildings alongside equipment left behind by the archaeologists, emerge to create a magical appearance. Remnants of a distant past and a memory of a near past have merged into a window to a flooded future. The works in the limited edition are handled manually so that they are not completely identical.
Original Created:2021
Subjects:Landscape
Photography:Digital on Paper
Artist Produced Limited Edition of:3
Size:58.1 W x 39.5 H x 0.1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Israel.
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Israel
I grew up in a city on the shoreline, and for 12 years I worked as a maritime archaeologist and as an archeology photographer (at the Antiquities Authority and later at the Hecht Museum and the Institute of Marine Studies at the University of Haifa). Following a personal crisis, I retired from academia and underwater photography (2006) and replaced the research-scientific language with the language of art. The maritime biography is steeped with the DNA of my work and is the starting point of the artistic and visual research I am doing at present. Through photography, video and installation works, I am mapping out my personal space, and exploring the visual and material aesthetics of mechanisms of commemoration, conservation and change (environment - climate - sea level rise). The camera for me is like a third eye - the one that sees where I do not see. It is an "invasive" means that allows my vision to penetrate beyond the outer shell of the body and memory, and to bring together the real and the imagined, the living and the inanimate. The ability to breathe movement / life into something frozen, dead, motivates artistic processes that consist of conflicts or ambivalent feelings of alienation and belonging that take place within me at the same time. The material and aesthetic representations I use come from my private archive, and reflect on the physical, cultural and political space in which I live and from which I create. I connect images from the family album and elements, intentional or random, that a human hand has fixed on the landscape.
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