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Innocence of the Dead Photograph - Limited Edition of 10

Jerry Shevick

United States

Photography, Digital on Paper

Size: 24 W x 18 H x 0.1 D in

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$650

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Artist Recognition
link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

My family always knew a photograph my mom took – inevitably, a thumb always covered a corner of the shot. As I moved from all film shooting to mostly digital, I began to think about how all the imperfections, and often character, was eliminated from home photos. My mom’s thumb shot would be deleted. Notwithstanding mom’s thumb, there was no excitement getting any of your prints back and finding the one shot that was perfect. Why keep anything less than perfect? This series used slides from my past and also slides I curated from flea markets and on-line. They were projected onto the old roll-up silvered screens many of us had in our youth, then shot with toy lenses on a digital camera. Most of the imperfections are left and, in some cases, are part of the photo’s aesthetic. The easiest explanation for the “softness” of the shots would be that they are just a reflection of the haziness of time, but that’s a bit too easy. Our photographic history never needed to be perfect to take us back to a place. So, maybe it’s partly a lamentation for a non-digital age. And, maybe the perfect imperfect photo reflects the impermanence of the moment. The impermanence of an image, of time, of family, of life. At the same time, no matter how imperfect, they can be emotional, curious, thought provoking. Hopefully, they bring back memories and a recognition on how fleeting and beautiful life is.

DETAILS AND DIMENSIONS
Photography:

Digital on Paper

Artist Produced Limited Edition of:

10

Size:

24 W x 18 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Jerry Shevick’s photography is rooted in the Buddhist concept of impermanence and, even more specifically, Wabi Sabi. Wabi Sabi is difficult to translate—it’s more of a feeling than an actual concept; however, it implies simplicity and beauty as something ages, fades or changes. The perfectly imperfect. Jerry has been photographing and printing for the last 40 years. In fits and starts, over the last decade, he has begun to exhibit and sell his work. In 2013, pieces from his series, “And The Past Reared Its Head” were juried into a number of shows and sold, which prompted a more serious approach to his artwork. The series took vintage slides from Jerry’s past, as well as from many others, and through a process of re-shooting and re-imagining the photograph, looks at the impermanence of the image, of time, of family, of life. A follow-up show used vintage, amateur nudes in the same way. A review in Fabric Magazine said, “What looks like the faded slides of one prolific, if amateur photographer, is really Shevick’s heavily curated pickings of found objects in the photo sections of flea markets and estate sales that he’s culled and rephotographed in a fresh, innovative way. The result is a re-framing of the entire experience in a campy, post-modern, tongue in cheek show.” Further projects came. There is the on-going series of “Night”: subtle, almost abstract, Zen-like photos of the natural world at night, printed on Japanese mulberry paper. Handheld with slow exposures, they evoke the quiet and beauty of walking through nature after dark. “The Other Worlds of Death Valley” was the result of a journey to one of the most inhospitable places on Earth. But, the work became big and bold in color and structure, revealing an otherworldly landscape in its ancient beauty. Jerry is now back to exploring black and white landscapes, the kind of work he began in. And, while now working digitally, the prints are worked very much in mind with silver printing. For most of his career, Jerry was an entertainment executive, running a division of Hearst Communications and then founding his own company, Shevick*Zupon Entertainment. He created or supervised over 1,500 episodes of non-fiction programming, winning a number of awards along the way. He was also the production executive on 50 made for television movies.

Artist Recognition
Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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