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Joe's Bayou - Limited Edition of 5 Photograph

Ken Murphy

United States

Photography, Black & White on Paper

Size: 15 W x 12 H x 0 D in

Ships in a Box

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About The Artwork

"Joe's Bayou" is one of my oldest and favorite (I just sold a 50" color print) photographs from my hometown. It was shot around 1985 on 4x5 color transparency film while I was still a student at RIT. I chose to create Platinum Portfolio #1 because I wanted to break away from my current style, which is straight color photographs of everything. I have always loved black and white photographs ever since I discovered Ansel Adams and studied photography at the Rochester Institute of Technology in Rochester, New York (BFA Photo 86'). Also, I love the idea of making one of a kind, handmade photographs that will last forever, and that is what platinum photographs provide. When I started researching how to create platinum photographs I read about Vellum paper, so I made some 5x7 prints. I loved them! The Vellum paper is transparent so when you hold the print up to the light, it is like putting it on a light table. The fairly soft image seems to come "alive". It is a different viewing experience from our normal way of viewing most photographs with reflected light. I chose handmade wooden boxes because I felt that they are reminiscent of the era that platinum photographs were popular in the late 1800's. The challenge became, how do I provide that viewing experience to the viewer? The answer is a self-contained lightbox frame. The frame is hand made by my brother-in-law and I finish them however I want. The boxes for Portfolio #1 is made of stained Maple wood and has one LED light bulb with eight rechargeable AA batteries. The box, which has only a stain mixture (Minwax Gunstock and Gray) and Butcher's Block Oil for a finish, can sit on a table or hang on the wall. It also has museum glass for protection, even-though the vellum prints are almost indestructible. Each 5x7 print and box comes with a Certificate of Authenticity as well as the negative used to make that print. In effect, this makes the prints actually one of a kind, because no two prints are coated exactly the same, so the prints will have unique markings.

Details & Dimensions

Photography:Black & White on Paper

Artist Produced Limited Edition of:5

Size:15 W x 12 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Bio of Kenneth F. Murphy A.K.A. Ken Murphy, Photographer Ken was born in Frankfurt, Germany on Feb.10, 1954, to Helen Dedeaux Murphy and Dan Beverly Murphy of Bay St.Louis and Gulfport, Mississippi, respectively. He is the second child of eight, 1st son of 5. On March 8, 1971, at the ripe old age of 17 years and 26 days, after dropping out of high school, Ken entered the US Army, clueless as to what was in store for his future. Ken soon found himself stationed at Fort Knox, KY as a “Tank Crewman”. Ken's first overseas assignment was to Camp Casey Korea, where he served as a 17-year-old Tank Commander. In 1976, while serving as a Tank Commander in Mannheim, Germany, Ken lost his right index finger to a Hoffman (training) Device, a tank gun simulator on an M60A1 Battle Tank, while engaging in the last 10 minutes of a two-week-long war game. Since Ken lost his trigger finger, he could no longer serve in a combat position so he was reassigned to a hobby shop at Fort Leonard Wood, MO, as an Arts & Crafts Instructor. There, he discovered and fell in love with photography. Within six months, Ken had placed third in an Army-wide photography contest with a color photograph entitled "Corn Shed," taken in the fog on the property where Ken was living in Dixon, Missouri. Ken won a certificate and a $75 Savings Bond. It was a life-changing event. It was then that Ken realized that he could actually make money with photography. In 1986, Ken received a Bachelor of Fine Arts Degree in Narrative, Documentary, and Editorial Photography from the Rochester Institute of Technology in Rochester, New York. After graduating from RIT, Ken moved to New Orleans and began working as a Photographers Assistant, first for Will Crocker and then for Joe Bergeron. Around 1991, Coast Magazine came on the scene in Gulfport, Mississippi. The owner Neil White hired Ken as the Photography Editor. It was while working for Coast Magazine that Ken created a lot of the photographs for his first book, “My South Coast Home, Photographs of the Mississippi Gulf Coast", currently out of print.

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